Today, we’re speaking with Andrew Weisblum, ACE, about the Wes Anderson film, The French Dispatch. I last spoke with Andrew when he edited Alice Through the Looking Glass.
Andrew’s filmography is incredibly diverse; The Darjeeling Ltd., The Wrestler, the ACE Eddie-nominated Fantastic Mr. Fox, the BAFTA-, ACE Eddie-, and Oscar-nominated Black Swan, the ACE Eddie-nominated pilot for Smash, the ACE Eddie-nominated Moonrise Kingdom, and he was the supervising editor on the Ace Eddie-nominated Isle of Dogs.
He also edited the upcoming Lin-Manuel Miranda film, Tick, Tick... Boom!, with another frequent Art of the Cut guest, Myron Kerstein, ACE. You can bet that we’ll be talking with both of them about that film in a few weeks.
Thanks to Frame.io for their support of Art of the Cut and their pledge to keep this content coming your way. Click here to read this interview along with extra content at blog.frame.io, where you'll also find expert guides, tutorials, and insights from veteran filmmakers across the film and TV industry.
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