In 1974 forty-five year old Cameroonian Renaissance Man Francis Bebey retired from a career as a journalist and musical director of UNESCO to focus more time on his family and the arts. He turned a spare room of his Parisian flat into a studio, bought a synthesizer, drum machine and four-track recorder - and began an early-retirement musical quest that would last thirty years. Trésor Magnétique is twenty tracks beautifully extracted from the wagonload of unused analog material Francis Bebey left behind in that glorified walk-in closet.
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