Bring Me The Axe! Horror Podcast

This week we take a look at Lamberto Bava's first official director's credit with the incredibly tasteless and disgusting piece of southern-fried necrophilia, Macabre from 1980. It's one of those movies that makes you really work for the goods since the worthwhile parts of the movie lie almost entirely in the final third after a lively and berserk setup. It'll make you wonder precisely how long you could preserve a severed head in your average consumer freezer.

Everyone's insane in this one, including the horrible little girl and you'll be hard pressed to find an actor more deeply committed to overacting than Bernice Stegers. Keep a barf bag handy.

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To unlock the full episode go to ⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠ and subscribe at the $5 level to unlock all of our X-Files episodes as well as Bring Me The Axe: Millennium Edition, and Radio Free Haddonfield our bi-weekly DJ and music show.

This week in X-Files history we take a look at the monster-of-the-week episode, Fire, in which Scully has to do all the work to stop a serial killer who is somehow burning members of the British parliament and nobility class alive. Mulder is too busy to help, being mopey about the reappearance of his English ex-girlfriend, a psychotic Scotland Yard agent who adds a solid dose of misogyny to an otherwise okay episode.

We also take a walk down memory lane as we look at the headlines and pop culture notes for December 17, 1993. It's a real desert of music, TV, and movies and the contemporary events of the day aren't so hot, either.

We're joined this week by Eli Bosnick of the God Awful Movies podcast to talk about the infamous Hong Kong Category III exploitation movie, Story of Ricky. One man enters a corrupt private prison in near-future China and faces down the evil warden, his assistant, and four villains with terrible strength and magical martial arts prowess. Along the way just about everybody gets their guts kicked out or their head punched off in this extremely gory spectacle.

We also discuss the dawn of the Category III rating in Hong Kong, how great it was to trade video tapes in the mail with total strangers in the 90's, and Eli tries to get Bryan to cop to trading horror movies for weird porno movies in what is easily one of our most inappropriate episodes yet.

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This week we're joined by our friends Johnny Cann and Tyler Hyde from That's Spooky as we celebrate women's history and women in horror with a look at the last movie you'd think would be appropriate for such an occasion. Slumber Party Massacre, from 1982, is a sleazy, lurid spectacle with an unexpected background. Written in 1978 as a spoof of slasher movies by radical feminist icon, Rita Mae Brown, it ended up in the hands, of all people, of Roger Corman, who turned it over to his editor, Amy Holden Jones as she set her sights on directing for the first.

Full of gratuitous nudity, gore, and people making a lot of bad decisions it's a remarkably entertaining piece of slasher horror with a wild production history that ultimately caused the second wave of feminism to turn on Rita Brown in a really unfortunate way. Do check it out!

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To unlock the full episode go to ⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠ and subscribe at the $5 level to unlock all of our X-Files episodes as well as Bring Me The Axe: Millennium Edition, and Radio Free Haddonfield our bi-weekly DJ and music show.

This week we go back to December of 1993 for a look at the monster of the week episode, Eve, which pits Mulder and Scully against a pair of evil girl clones. As usual we look at the headlines and have a real morbid laugh at what was going on back then. It's not good, folks. At least The Simpsons was on top of the world.

We're getting really bloody this week as we take a trip to feudal Japan for the 1972 samurai movie that set the pace for violent sword fighting movies to follow. This is not your father's samurai movie. This is not Akira Kurosawa. This is Kenji Misumi's epic starring Tomisaburo Wakyama and his wonderful, weapon-laden baby cart.

Adapted from the extremely popular manga by Kazuo Koike, Lone Wolf and Cub tells the story of wandering assassin, Ogami Itto and his son, Daigoro as they walk the demon way in hell. The evil daimyo, Yagyu Retsudo wants them dead but it's going to take an army if they intend to get the job done.

Utterly ridiculous and bloody, Sword of Vengeance sets the tone for the five movies that follow and is a tremendously enjoyable movie. Let us tell you all about it.

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We celebrate two years of Bring Me The Axe! with this good long look at the movie that changed everything. Initially dismissed as drive-in schlock and the copyright was botched upon release, Night of the Living Dead would eventually find its way to spotlight as the horror movie that set the pace for horror in the 1970's and introduced the world to what is, arguably, the most popular movie monster of all time: The Romero Zombie. We look at the production history, the players, it everlasting legacy, and the social conditions of the 60's that informed its extremely grim outlook.

Produced in 1968 by George A. Romero and John Russo at the same time that they were producing commercials for Calgon and Heinz as well as eduational shorts for Mr. Rogers' Neighborhood, Night of the Living Dead was a compromise meant to raise money more effectively to make not the movie that they wanted to make, originally, but any movie, period. The world is richer for having it.

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To unlock the full episode go to⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠ and subscribe at the $5 level to unlock all of our X-Files episodes as well as Bring Me The Axe: Millennium Edition, and Radio Free Haddonfield our bi-weekly DJ and music show.

This week we get a nice little course correction from writers Howard Gordon and Alex Gansa. After the series worst episode, Space, and some notes from Fox, Gordon and Gansa got to work on bringing the episode back into focus as Mulder goes rogue and infiltrates a UFO crash site that's being recovered by a covert army operation. When he's inevitably caught he meets UFO enthusiast and fellow paranoia enjoyer, Max Fennig, as the pilot of the downed UFO sneaks around the crash site, killing soldiers, while waiting for the mother ship to arrive and pick them up.

Not exactly a mythology episode but not exactly not a mythology episode, Fallen Angel brings the series back into paranoid focus to remind everyone that it's about UFOs, aliens, and conspiracy.

We also break down this week in pop culture and the news as usual.

This week we take a look at Bryan's favorite movie of all time, John Carpenter's tough guy action dystopia that definitely shook the Disney off of Kurt Russell and reintroduced him as a premier action movie star for the 1980's. We track the entire trajectory of this movie's production, we'll tell you why everyone thinks Snake Plissken is dead, you'll find out about all the other guys that the production company wanted over Kurt Russell, how director of photography, Dean Cundey engineered an entirely new anamorphic lens just to see the movie at night without sacrificing all the awesome lighting. It's a once-in-a-lifetime action movie that set the pace for the decade and inspired everyone to try their hand (and mostly fail) at making their own version of the movie.

Carpenter had access to more money than he'd work with before and still had to stretch a dollar to make the movie and he managed to knock it out of the park on every front. The cast is stacked. The production design is second-to-none, and the soundtrack is just perfect. Listen in and learn all about it.

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This week we take a look at one of the standout features of the 70's blaxploitation age, William Crain's seminal vampire movie, Blacula, starring William Marshall, Vonetta McGee, and Thalmus Rasulala. Blaxploitation is a troubling topic to take on as the bad movie outnumber the good movies three to one and definitely play up the worst black stereotypes but for a little while there blaxploitation movies and their arty cousin, the LA Rebellion, pushed forward black power narratives and power fantasies that spotlighted black talent and provided black audiences with great characters that reflected their values and dreams.

Blacula as a horror movie is also a standout picture, being every bit as riveting and spooky as Hammer's best outings. William Marshall absolutely dominates the screen as doomed Prince Mamuwalde and Vonetta McGee is hard to take your eyes off of. Give this episode and listen and do chill out. Bryan realized too late that yes, All The Colors of the Dark is a Sergio Martino movie and What Have You Done To Solange was by Massimo Dellamano.

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To unlock the full episode go to ⁠⁠⁠⁠Patreon⁠⁠⁠⁠ and subscribe at the $5 level to unlock all of our X-Files episodes as well as Bring Me The Axe: Millennium Edition, and Radio Free Haddonfield our bi-weekly DJ and music show.

This week's episode is a look at the egregious ripoff of The Thing (or the novel Who Goes There, depending on who you ask). It's the first in a series of episodes resulting from the power trio of director David Nutter, and writers Glenn Morgan and James Wong.

This episode sees Mulder and Scully accompany a team of scientists to a remote arctic science outpost in Alaska to investigate the sudden disappearance of the team that was conducting ice core drilling there and unexpectedly released something ancient, deadly, and likely from another planet.

This week Bryan and Dave take a trip back to Rome to check in with Enzo G. Castellari and Mark Gregory on their sequel to the 1982 action movie that exploited the popularity of The Warriors. This time they're exploiting the popularity of John Carpenter's outstanding, Escape From New York. We get more Trash and more Bronx gangs but this time we're joined by the absolute massive screen presence of Antonio Sabato and the movie's appeal rests entirely on the outrageous shoot-y, burn-y, explode-y violence that ups the ante and cranks the volume.

Escape From The Bronx has practically zero plot to speak of and is an incredibly dumb movie at heart but it's a lot of fun and some of the best action that Italy had to offer in the twilight of their once-great exploitation movie industry. Let us break it all down for you.

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This week Bryan and Dave take a look at a nasty little indie from New Jersey that can't help but get a little on ya. Alfred Sole's Alice, Sweet Alice is a vicious movie with a real bone to pick with the Catholic church.

Following his actual excommunication from the church having, Alfred Sole pulled together every resource he could, with a script co-written by Rosemary Ritvo and heavily, heavily inspired by Nicholas Roeg's Don't Look Now, it pits a community of deeply repressed middle-class Catholics against a killer who brutally murders a child in a church. Is it the deeply disturbed problem-child Alice? All signs point to yes but it's complicated, of course.

Perverse and dark in the extreme, Alice, Sweet Alice stands alone in the 1970's as a truly original, truly mean piece of horror with a hell of a cast and some seriously nasty special effects.

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To unlock the full episode go to ⁠⁠⁠Patreon⁠⁠⁠ and subscribe at the $5 level to unlock all of our X-Files episodes as well as Bring Me The Axe: Millennium Edition, and Radio Free Haddonfield our bi-weekly DJ and music show.

This week's episode is a look at the egregious ripoff of The Thing (or the novel Who Goes There, depending on who you ask). It's the first in a series of episodes resulting from the power trio of director David Nutter, and writers Glenn Morgan and James Wong.

This episode sees Mulder and Scully accompany a team of scientists to a remote arctic science outpost in Alaska to investigate the sudden disappearance of the team that was conducting ice core drilling there and unexpectedly released something ancient, deadly, and likely from another planet.

Hey! Hey! Hey! BIM's on the way! This week Bryan and Dave take a good long look at the abyss and the abyss stares back when they watch the movie that launched The Cannon Group into the American imagination, a movie musical so poorly received that it nearly drove its director to leap from his hotel balcony at the premier. The Apple is what happens when a producer knows that he wants to make a big musical that's sure to capture some of the excitement that Grease generated but without really knowing what makes a musical work. It's a movie so profoundly bad, with bad acting, bad characters, and the worst thing a musical can have: bad music. Nothing about this baffling movie works and it is plainly obvious for anyone to see. It's simply amazing that the director, Menahem Golan was so caught off guard by its failure.

Some movies are so bad that they end entire careers. This one almost ended Golan's life.

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This week Bryan and Dave find themselves comfortably back in the pocket with 1980's high-gothic haunted house picture where we're expected to believe that old man George C. Scott was also a father to an 8 year old girl. Based on the extremely dubious "true story" of the film's writer, The Changeling is a frustrating experience that combines compelling haunted house filmcraft with a clumsy script that can't decide where it's going or what it's trying to do.

Held aloft by horror fans for years as a truly spooky and unsettling haunted house/ghost mystery movie, we break it down and find that it may not be the movie that we remember. That said, is it good? Does any of this mess work? You'll have to listen to find out!

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To unlock the full episode go to ⁠⁠⁠Patreon⁠⁠⁠ and subscribe at the $5 level to unlock all of our X-Files episodes as well as Bring Me The Axe: Millennium Edition, and Radio Free Haddonfield our bi-weekly DJ and music show.

In yet another dog of a Gansa/Gordon episode, Mulder and Scully are called in for a hail Mary play by a lousy past-colleague Mulder's faces down a killer smart home system. This being the 90's and the writers having no idea how computers work, it ends up wobbly as their last outing, Conduit.

We also take a look at what was happening around Halloween in 1993 and the headlines and pop culture hits are every bit as weird as you likely don't remember. Take a trip back in time with us as we tackle it all!

This week Bryan and Dave celebrate one year of 99 Cent Rental with the mother of all cult movies. Get it? It's a drag queen's dream come true. In 1977, reeling from being written out of her mother's will for reasons well-known to her, Christina Crawford, daughter of Hollywood legend, Joan Crawford published a vicious hit piece of a memoir about the alleged abuse she suffered at the hands of her mother and Hollywood couldn't wait to snatch up the option and transform it in a motion picture. Paramount came calling and took a book full of dubious claims and turned it into a movie full of even more dubious claims and a tone that shifts wildly from massively understated to flying dangerously off the handle.

If a crazy story wasn't enough, the troubled production, made even more difficult by Faye Dunaway's horrible diva behavior on set and the meddling of celebrity husbands pushed the studio and producer Frank Yablans to the brink.

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2024 was a banner year for horror movies and Bryan and Dave are going to run you down the list of the best, worst, and most-okayest horror movies of the year. Where do your favorite titles drop? What did we think of Maxxxine? How about Terrifier 3? Longlegs? It's all in here and then some, a giant-sized episode to address 25+ titles. Our opinions are sure to make you mad.

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Buy Bring Me The Axe merch here: ⁠⁠⁠⁠⁠⁠⁠https://www.bonfire.com/store/bring-me-the-axe-podcast/⁠

To unlock the full episode go to ⁠⁠Patreon⁠⁠ and subscribe at the $5 level to unlock all of our X-Files episodes as well as Bring Me The Axe: Millennium Edition, and Radio Free Haddonfield our bi-weekly DJ and music show.

This week we look at the second Morgan and Wong joint of the season, the first of their tendency toward egregious ripoffs of horror movies you've probably seen. In this episode, Mulder and Scully investigate a series of deaths surrounding a woman who had a terribly unhealthy relationship with her boss, whose spirit might still be hanging around her, thwarting an Islamic terror cell and the corporate stooge who's supplying them with unspecified parts with which to carry out terror. It's all a little too much like The Entity but who are we to complain? In a wobbly first season, desperately trying to find its legs, it's one of the better early episodes.

This week Bryan and Dave wind down the year and celebrate the holiday season with a look at a movie that can only be called horror in the most charitable of terms. Christmas Evil is the tale of two parties: Lewis Jackson, a director whose ideas were too weird for commercial Hollywood and a wall of exploitation producers who saw potential in his weird little character movie to be exploited in the wake of Halloween. The result is a movie that's more like Taxi Driver than Friday the 13th, a comedy so black that most people miss the goofs. But it's a wonderful piece of Holiday weirdness carried almost entirely on the shoulders of its star, Brandon Maggart. It is a movie so well-made and off-beat that it's a real shame that its director became so disenfranchised from the film making experience entirely that he never returned.

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This week, Bryan and Dave take a trip back to 1984 for a look at one of the top box office draws of 1984 and one of the most toyetic pictures of the decade, Gremlins. It's one of Chris Columbus's first movies produced and Joe Dante's first feature with Steven Spielberg. It's got adorable little cuddly guys, nasty little monsters, Phoebe Cates, gleeful puppet carnage, and a powerhouse score from Hollywood's musical swiss army knife, Jerry Goldsmith. In a year packed with some of American pop cultures most enduring classic titles, Gremlins is among the most iconic of the decade.

It's not all fuzzy feelings, though. As much as it's a lot of Loony Tunes fun and mayhem it's a movie that hasn't exactly aged well and we'll tell you all about it; the good and the bad.

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As another Friday the 13th dawns we bring you another bonus episode looking at our personal favorite slasher franchise. This time around Jason Voorhees stalks some kids who just happen to be in the wrong place at the wrong time as he seeks to convalesce after getting hacked in the shoulder with Ginny's machete. We'll tell you all about why, of all the movies Paramount could have chosen to revive the 3D craze, they chose an r-rated body count movie like this one. We'll wax romantic about Richard Brooker's performance as Jason. We'll be blown away by the production's choice to have their final girl fight back against the killer tooth and nail. We'll get downright pedantic about the origin of the hockey mask. All this and more as our tradition of covering Friday the 13th on Friday the 13th continues!

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To unlock the full episode go to ⁠Patreon⁠ and subscribe at the $5 level to unlock all of our X-Files episodes as well as Radio Free Haddonfield our bi-weekly DJ and music show.

This week we take a trip back to October 8, 1993, for a look at the fifth episode of the first season of The X-Files as Mulder takes it to the streets of Atlantic City in search of a murderer who might be the legendary cryptic of New Jersey but is actually a family of feral humans living in the wilds of the Jersey Pine Barrens, bumping up against the edge of civilized society. We have lousy witness sketches of the killer, Scully's magnificent fashion sense and social life, and a rundown of what was happening in America in October of 1993.

This week Dave and Bryan marvel at what is ostensibly the most egregious horror movie sequel of all time, a movie so lazy, so craven that it's hard to believe that it exists at all. When a greedy producer got his hands on the sequel rights to the original Silent Night Deadly Night he intended to have an entire movie made by simply editing the original into something new but director Lee Harry, a professional editor just couldn't make it happen. Because that's an insane and very stupid proposition. The compromise was to shoot insert scenes as a wraparound story. Silent Night Deadly Night Part 2 still manages to compose half of its running time, including the credits, from the original movie but it's not without its charms. After all, this is the movie that gave us garbage day!

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Bryan and Dave go north for a look at The Christmas Martian, an utterly deranged Quebecois children's movie about unsupervised children in a remote Quebec town and the adult man from Mars who in any other context would be understood to be grooming this brother and sister. It's a film that was intended to be whimsical and zany but being the product of Tales For All producer, Rock Demers, it all just comes off as creepy and unsettling. Though, not quite as upsetting as The Peanut Butter Solution, a film we covered in 2023, it's still off-putting in a way that begs the question: who was this movie for?

Produced by prolific Canadian producer, a man on a mission to make the lives of children genuinely better, Rock Demers, directed by one of the National Film Board's most talented cinematographer, Bernard Gosselin, and written by an author so-treasured by his native Canada that one of his works of fiction is quoted on their money, Roch Carrier, The Christmas Martian is remarkably artless and weird and we're going to tell you all about it.

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To unlock the full episode go to Patreon and subscribe at the $5 level to unlock all of our X-Files episodes as well as Radio Free Haddonfield our bi-weekly DJ and music show.

This week we take a trip back to October 1, 1993 for the fourth episode of The X-Files. Mulder and Scully face off against the shadowy forces of the National Security Agency while searching for a missing teenager who may have been the victim of a UFO abduction. Meanwhile, a little boy is seemingly receiving binary data transmissions from his television. Is this kid a threat to national security? Was that girl taken by aliens? Could this small-town sheriff be any shittier about women?These questions and more will be answered on this week's episode.

Bryan and Dave go Belgian this week for a look at the extremely artsy vampire sleeper, Daughters of Darkness. Where Jess Franco and Jean Rollin both released signature lesbian vampire movies in 1971, Harry Kumel snuck in and delivered his own interpretation of sleazy euro-trash horror through the lens of The French New Wave. The film stars the absolutely radiant Delphine Seyrig and her many outrageous costumes.

We break down the film's attempt to make a statement about the gender dynamics between men and women in a patriarchy and Dave goes to great lengths to illustrate the ways in which gay women are treated differently than gay men. In the process you get a crash course in radical feminism and, more specifically, radical lesbianism and the two of us do a lot of lousy cartoonish French accents.

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Bryan and Dave take a look at one of the deepest of cult movie deep cuts, The Beaver Trilogy by Trent Harris, a story about fame, guilt, and Olivia Newton John. It’s the story of a chance encounter with a strange young man one day in Beaver, Utah in 1979 that came to determine the entire trajectory of its director’s life. For reasons that we’ll dig into in the episode the movie is a document of the natural human inclination to seek fame, the natural human inclination to consider how our actions impact the lives of others, and maybe how we become our own worst enemies in the absence of answers. Harris, obsessed with the subject of his own work but unable to speak to him, works out his issues and tries to fill in the blanks as he remakes his own documentary twice with the help of Sean Penn and then again with Crispin Glover. It all culminates in a one-of-a-kind hybrid of documentary and scripted drama that you’re most likely going to become obsessed with.

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To unlock the full episode go to Patreon and sign up at the $5 level to unlock all of our X-Files episodes as well as Radio Free Haddonfield, our bi-weekly DJ and music show.

This week we look at the first proper X-Files monster of the week episode which pits Mulder and Scully against Eugene Tooms, a man who can squeeze his body through seemingly any opening in order to commit the cannibal murders which sustain his impossible physiology. It's an amazing home run for such an early entry in a long television series. As usual we also walk you through a brief history lesson of the week this episode aired and man... it's a doozy.

Take a trip back in time with Bryan and Dave this week as they go black and white with this unassailable classic of the golden age of horror. It's Paramount's remarkably gritty pre-code horror movie, Dr. Jekyll and Mr. Hyde, a movie meant to capitalize on and compete with the sudden popularity of Universal's 1931's horror movies, Dracula and Frankenstein. Paramount, however, takes things a bit further with a movie movie more explicitly sexy and violent than you're probably expecting from the 1930's.

It's a dynamic, kinetic movie shot on elaborate sets and featuring powerful performances from both Fredrich March and Miriam Hopkins and it makes use of a brilliant in-camera trick to transform Jekyll into Hyde before your very eyes. Learn all about it and more in this episode.

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99 Cent Rental returns from its Halloween hiatus with a Van Damme good time as we drill down to the core of the spirit of this podcast with a look at a movie so patently ridiculous and offensive that we can't fully understand how it's simultaneously so entertaining and appealing.

Death Warrant represents some firsts and lasts. It's ostensibly the first movie to truly put Jean-Claude Van Damme over as a viable box office draw and positions him to be the prime action movie star of the 90's. It also represents the final death rattle of Cannon Films after a decade of bad business practice finally caught up with them.

Featuring a performance from Robert Guillaume that this movie clearly does not deserve, it's also full of side characters that are every bit as magnetic as JCVD.

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Here's a taste of our Patreon-exclusive podcast, Do You Think I'm Spooky, an X-Files Rewatch. Bi-weekly episodes (plus more goodies) are available to subscribers at the $5 tier.

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Our inaugural episode looks at the spark that started a wildfire. The X-Files is among a treasured few TV shows from the 90's that came to define the entire decade. We look at the very beginnings with this one, a pilot episode that defied the odds.

In this episode Mulder meets Scully and together they investigate a case of alien abductions, missing time, and sinister human experimentation. Dave prepares the listeners for his hardline skepticism and Bryan assures them that things will certainly get weird.

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Bryan and Dave are joined by their friends Jonny and Aileen from the Uy Que Horror podcast to cap off their month-long October spooky season rundown with a look at the utterly baffling horror movie misstep, Halloween 3: Season of the Witch. It's what happens when a nobody really wants to make a movie but they have to anyway. John Carpenter and Debra Hill agreed to get involved but only if it didn't involve Michael Myers. Joe Dante quit the director spot to go work on another movie leaving it in the hands of Tommy Lee Wallace. Nigel Kneale, the original writer quit when Dino De Laurentis demanded more gory violence in the movie. The whole thing is a mess, really, with Tom Atkins playing a functional alcoholic and Stacy Nelkin playing a young woman in her prime suffering from severe daddy issues.

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This week Bryan and Dave are joined by author and queer horror historian, Sean Abley for a look at a stone-cold classic of 80's horror, Poltergeist. It's out second Tobe Hooper movie in October, alone, and our third overall for 2024. Bryan talks about how this movie was a pivotal moment in his horror movie adolescence. Dave maps the paranormal investigators in the movie to their real-life paranormal investigator counterparts, and Sean has a bone to pick with the ending. We'd also be remiss if we failed to mention the so-called Curse of Poltergeist. We'd also be derelict in our duties if we didn't bring up the elephant in the room: How much of this movie did Steven Spielberg direct? For years rumors and nasty innuendo have swirled that Hooper may have been picking up an easy paycheck on this one in order to allow Spielberg to sidestep some studio deals he made that prevented him from working on it while he made ET. Is there any truth to it? The answer, as usual, is complicated.

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This week Bryan and Dave get real weird with it as they take a deep dive into a movie that defined not only Wes Craven's career but Heather Langenkamp and Robert Englund's. Just when everyone thought that the slasher movie was dead on arrival, along comes Freddy Krueger to give it a powerful shot in the arm. Where slashers of the past felt like hangovers of the 1970's, pretenders to the Michael Myers legacy, A Nightmare on Elm Street is the first slasher movie that feels properly 80's. It lands at a crucial moment in American pop culture and just as Last House on the Left gave direction to the flagging horror movies of 70's and Scream gave direction to the flagging horror movies of the 90's, Nightmare and Freddy come to define the shape of horror movies to come in the 1980's. It's a hat trick of horrifying proportions and we can't wait to tell you all about it.

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This week Bryan and Dave kick off their Spooky Season '24 series with a look at one of the all-time greatest horror movie heavy hitters, The Texas Chain Saw Massacre from director Tobe Hooper. Dave counts the human cost of making movies on a tiny budget, going over the notoriously rancid production history of a movie made in the dog days of a Texas summer on a set using real food and animal carcasses. You do the math on that one. Meanwhile, Bryan presents a wobbly thesis that, more than other horror movies, The Texas Chain Saw Massacre is a fairy tale in the style of The Brothers Grimm. They'll also answer the question: Is Leatherface the cutest franchise killer of them all?

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Take a trip to Italy with Bryan and Dave this week as they put a little garlic on it and talk about Michele Soavi's ambitious, absolutely mesmerizing but ultimately frustrating, Cemetery Man (also known as Dellamorte Dellamore). Adapted from the novel by weirdo Italiano extraordinaire, Tiziano Sclavi, Cemetery Man is also a backdoor adaptation of the wildly successful comic book series, Dylan Dog. It's top to bottom unreliable narrators, naked women, and zombies, headed up by a man so handsome it'll make you angry, Rupert Everett.

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Bryan and Dave take a trip back to Japan for their Toho 3-in-a-ro-ho, looking at 1977's psychedelic haunted house freakout by Nobuhiko Obayashi, House (Hausu if you're nasty). You'll see a young woman be eaten by a piano, a grown man get turned into a pile of bananas, a flying severed head biting girls on the butt. This movie has everything! It's recognizably a horror movie by a director who stradfastly refused to let it be purely horrifying, instead putting the focus on high-flying visual style and storybook production values. You've never seen so many matte paintings. It's a real challenge to talk about a movie so rich in visual aesthetic but we're going to do our best to break it all down.

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Bryan and Dave are joined this week for their episode celebrating Latin American History Month by Dracula enthusiast, Michael Varrati! Long thought of as a lost movie, the fully restored version of Dracula, produced in tandem with Tod Browning's version with Spanish-speaking actors, the movie is practically the same film with some key differences which have, since its restoration in the 90's, caused many people to declare it the better version of Dracula. Is it? Well, it's complicated. We're going to give you all the facts and tell you all about it in this episodio.

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It's Friday the 13th so here's a bonus episode about Friday the 13th... Part 2. In this episode Bryan struggles with his conflicted opinions on this movie and Dave turns him to the dark side with his position that Friday Part 2 just isn't a very good movie. It IS the movie that gave us Jason despite that part of the story making any sense and it also has a heaping spoonful of 80's misogyny. Great things are to come for fans of Jason and the Friday the 13th franchise but right here, right now, they're still figuring out what they're trying to do with this movie and unfortunately, it just doesn't shake out.

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We close out our two part examination of the Godzilla/King Ghidorah beef with a close look at the Heisei era movie where Americans from the future presume to travel back in time and destroy Japan with a monstrous weapon and then force what's left over to conform to their political and economic interests. This time around the America/Japan relationship is bopped real hard on the nose. We also discuss the cultural and social conditions of Japan at the time which made American attitudes toward Japan so weird and more than a little racist. Don't worry though, there's plenty of chatter about Godzilla, King Ghidorah and the peerless thrill of big, loud, Japanese special effects movies.

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We are joined once again by our friends Ash Kelley and Alaina Urquhart from Morbid to break down and diagram the greatest slasher movie of the 90's, one of the greatest horror movies of all time, Scream. It's a rare treat when a director comes along and changes the direction of an entire genre but to do it once a decade starting in the 1970's? Unheard of. And yet, Wes Craven pulled it off. Adapted from a dynamite script, written in a marathon writing session of days rather than weeks or months, and realized by a once-in -a-lifetime cast, Scream is ultimately a greater whole than the sum of its parts. Listen to us break it down in great depth.

Join us this week as we take a trip to Japan to talk Godzilla. This is the movie that introduced the world to Godzilla's arch-nemesis, Ghidorah, the floppiest golden dragon the world has ever seen. We also get short changed on Mothra, are delighted by those little fairy ladies who summon her, and can't help but talk shit about Rodan, one of the least compelling Godzilla monsters out there. You'll learn about Kaiju, Bryan will struggle to pronounce some Japanese words, and we'll tell you all about the several eras of Godzilla. We assure you nothing less than good time.

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Celebrate 50 episodes of scares, questionable taste, and Simpsons references with us as we put the lotion in the basket for a giant-sized analysis of one of the most titanic horror movies of the 1990's or maybe even of all time as we break down Jonathan Demme's iconic The Silence of the Lambs. We're all about Ted Levine's Buffalo Bill, Jodie Foster's Clarice Starling, and Sir Anthony Hopkins's Hannibal "The Cannibal" Lecter. We air out some grievances, talk Thomas Harris's Hannibal Lecter novels, and definitively determine which of us is the classiest brother.

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This week, Bryan and Dave are joined by Jonny Atkinson of Uy Que Horror to talk He-Man as they take a real deep dive into the movie that drove the final nail into the Cannon Group's coffin, Masters of the Universe. We discuss the movie's enduring status as a cult film against all odds, the intense nostalgia high of a movie that seems to have gotten better with age, the utterly bonkers history of the Cannon Group, a production company that flew too close to the sun, as well as run down the troubling allegations facing the film's director, Gary Goddard.

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This week, Bryan and Dave face down the blandest notions of the 1990's with I Know What You Did Last Summer, ostensibly the first of the craven 90's Scream cash-ins, written and produced by Scream's very own Kevin Williamson. It's a movie that really takes its sweet time getting around to the mystery where four beautiful 90's young people, Jennifer Love Hewitt, Freddie Prinze Jr., Sarah Michelle Gellar, and Ryan Phillipe make every possible bad decision and deal with the consequences as they're stalked by the Gorton's Fisherman in a small North Carolina fishing village. Where does this movie land in the horror canon? Does it hold up after all these years? Listen to find out!

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Bryan and Dave conclude their John Carpenter double feature with a look at his first proper feature, Assault on Precinct 13 a movie so egregiously ripped off by other action movies that it hardly matters that Carpenter ripped it off of other action movies. Seeking to make a proper western in the style of his favorite Howard Hawks movies but pressed by budget, Carpenter lifted moves from his then brand-new Escape From New York script with Nick Castle and turned in the independent action movie that would come to redefine the modern siege movie. Is it any good? Well, yeah. Of course it is. Could it be better? Absolutely. Precinct 13 is wobbly as hell, with fairly serious pacing problems but every shot, every scene, is a preview of the best that John Carpenter has to offer the world. Listen for our usual deep analysis and historical context relating to the absolutely rotten state of things as it relates to the Los Angeles Police Department.

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This week Bryan and Dave go long on one of their shared favorites, John Carpenter's first fertile footsteps into the 1980's, the decade that would come to define his entire career and he couldn't have made a bolder announcement of his arrival than with this subdued ghost story, told in the old campfire tales. It's equal parts gothic spooks and EC Comics style ghoulish horror, a tale of revenge from beyond the grave, ghost sailors return from the briny deep to have their payback for a terrible crime committed 100 years ago. Though a little flimsy in the story department, Carpenter and his crew float one of his most effective features on vibes and style alone. Listen for a real love letter to John Carpenter.

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This week we're getting sloppy and erotic as we break down David Cronenberg's 1996 antithesis to the 90's erotic thriller, Crash, a movie about how people can't get off unless they're about to die horribly in a car accident. Adapted from J.G. Ballard's 1973 novel of the same name, which was an extension of his short story in the collection The Atrocity Exhibition, the film stars James Spader doing his best to look like making sweet, sweet love to a woman's leg wound is something he's really into. It also bring us Elias Koteas in his second appearance on the pod steaming up the windows with his menacing sexuality and Holly Hunter, taking the strange journey into the world of sexy death.

Sound strange? Maybe more than a little off-putting? You have no idea. Listen to the episode for the full scope of the struggle.

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This week, Bryan and Dave ask the question that's on everyone's mind: Do you wanna party? Return of the Living Dead, the movie that changed the rules of the zombie movie game is a perfect time capsule of America in the 80's and it has a killer soundtrack to glue it all together. It's one part EC horror comic and one part paranoid Libertarian fantasy of a colossal government fuck up cooked up from the center of Dan O'Bannon's mind. Hear all about it in this deep dive of one of the greatest horror movies of all time, Return of the Living Dead.

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This week, Bryan and Dave get real sleazy with it and take a good long look at Angel, from 1984. Starring Donna Wilkes and a cast of wild character actors, including Susan Tyrrell in her second appearance on their podcast, Angel sets out to be a grimy exploitation movie that casts the seedy underbelly of the Hollywood Boulevard nightlife against the hard neon glow of the Los Angeles dream factory but it's a movie so in love with its oddball weirdo characters that it seems to struggle against the mandate to deliver violence, nudity, and cheap thrills, choosing instead to be a vehicle which provides its cast with all the scenery that they care to chew on. Make no mistake. Angel is garbage but it's remarkably lovable garbage that everyone should see.

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Bryan and Dave are joined by Tyler Hyde, co-host of the That's Spooky podcast to close out their 2024 Pride series and talk about James Whale's 1935 Magnum Opus, Bride of Frankenstein. It's an absolutely gonzo gothic horror from the dawn of the talkies featuring more thrills and excitement in one of the earliest sequels that somehow manages to end up a better movie than the original. Bride of Frankenstein is a high-energy affair packed with unbelievable characters and performances from some a-list weirdos of their era such as Ernest Thesiger as the sinister Doctor Praetorius and the lovely Elsa Lanchester playing duo roles and Mary Shelley and the iconic Bride who, despite your expectations, occupies the screen for a scant few minutes but still manages to leave a powerful mark on the history of film. There is also a deeply queer interpretation of the movie which begs the question, was this subtext intended by James Whale? Was it purely subconscious? Are we just reaching?

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It's astounding! Time is fleeting! For the third week of their Pride 2024 series, Bryan and Dave take a look at the notoriously queer-as-hell midnight movie sensation, perhaps the greatest midnight movie of all time, The Rocky Horror Picture Show. It's an episode packed with everything you could ever want to know about the phenomenon, the audience participation, the movie and the social experience as a haven for LGBTQ+ people who may not have found their tribe yet. It's also a movie music packed with hit song after hit song and a tour de force from Tim Curry who knocked it out of the park on his first feature film. Listen to the episode and do The Timewarp with us.

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Pride 2024 continues apace as Bryan and Dave take a real deep dive into Robert Wise's unimpeachable horror movie classic, The Haunting. It's a foundational piece of horror and one of the finest haunted house movies ever made with a thousand ways to interpret it including a very particular queer read which places it firmly in the queer horror canon. Come for the horror movie discussion, stay for the discussion on representation and learn about Shirley Jackson, one of the greatest gothic horror authors of all time in the process.

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Bryan and Dave kick off their 2024 Pride series by settling in for some QUEER VENGEANCE, Canada style! Siege is a by-the-numbers riff on Assault on Precinct 13 which makes one wonder, did Siege director Paul Donovan also watch Cruising at the same time? The movie pits a desperate struggle to survive the night against the 1981 Halifax police strike and despite it being such an obvious derivative of another movie, taking full advantage of the Canadian film tax shelter era, it's a solid action picture that is alarmingly suspenseful and it wears its ACAB sensibilities squarely on its sleeve. If you're in the mood to watch a bunch of homophobes get arrowed in the neck, shot in the face, and electrocuted by Home Alone-style traps, have we got a movie for you!

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This week Dave and Bryan take their first steps into the 1990's and go deep with a real hard look at The Blair Witch Project. Joining them on this trek through the forest is Ash Kelley and Alaina Urquhart from the Morbid Podcast.

Though, not the first found-footage horror movie, Blair Witch is definitely the one that convinced budding indie horror directors that yes, they too could make a horror movie on very little money. Dave and Bryan struggle to understand the appeal while Ash and Alaina do their best to articulate just what it is about this movie that they love so much.

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This Week, Bryan and Dave put the brakes on to talk about Roger Corman, one of the most important filmmakers in the history of pop cinema and the genres, most notably horror and science fiction. He died at age 98 on May 9, 2024 and left behind a legacy of nearly 500 films which bear his name in one way or another. Bring Me The Axe picks 4 movies of Corman's that are formative horror movie experiences and enduring favorites. Hear all about A Bucket of Blood, House of Usher, The Raven, and Death Race 2000 and the outsized influence Corman had on the larger industry in filmmaking.

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This week Bryan and Dave take a look at John Carl Buechler's swing-and-a-miss for the Charles Band dynasty, Troll. It's supposed to be filled with whimsy, adventure, and high-fantasy but is instead filled with crappy rubber monsters and cringe-inducing performances by actors tenured enough to know better by this point. Noah Hathaway casually throws away any goodwill he earned with his portrayal of Atreyu in The Neverending Story. Michael Moriarty seems to have no idea what he's even doing there. It's all a jumbled mess that somehow managed to be a smash-hit at the box office for Empire Pictures and a video rental gem of the 1980's.

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This week, Dave and Bryan are joined by Jeffrey Nelson, co-creator of the Scream Factory label for Shout Factory, to talk about the utterly unhinged Charles Bronson detective movie, 10 To Midnight. It's the tale of a cop, a father, his bleeding heart liberal, college-educated partner, and a serial killer whose nude and on the loose. Bronson could catch his man if it weren't for all the sleazy lawyers and liberal courts who want to coddle the criminal element instead of punish them. You'll be hard-pressed to find another movie that so brazenly espouses the dominant political theory of the Reagan 80's. It's a real NRA fever dream and an unintentionally hilarious piece of camp from the Cannon Group.

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This week, Bryan and Dave take a trip back to 1986 for the Rutger Hauer/C. Thomas Howell horror movie road trip, The Hitcher, from the murderous, deeply troubled writer, Eric Red. Dave struggles with modern re-evaluations that attempt to claim The Hitcher as some sort of queer horror hidden gem and Bryan has to do a lot of heavy lifting to fill in the movie's massive narrative gaps in order to make it a movie worth watching. Is the movie's imperiled hero Jim Halsey dead this whole time? Is he gay and on the run from the physical manifestation of bisexuality? You're going to have to listen to find out!

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This week Bryan and Dave are joined by Aileen Clark of the Uy Que Horror podcast to take a trip back in time to 1990 when Turtlemania ruled the preteen scene. We explore the Teenage Mutant Ninja Turtles phenomenon through the lens of Steve Barron's bizarre adaptation that struck closer to the dark indie turtles comics of the mid-80's than the colorful pizza-obsessed party dudes of Saturday morning cartoons. Does the movie hold up to modern scrutiny? Well, not exactly, but it's a fascinating franchise, nonetheless.

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This week, Dave and Bryan take a good long look at the gory 80's horror comedy classic, Re-Animator from director Stuart Gordon and producer, Brian Yuzna. What they find is, unfortunately, not much more to talk about than what's right there on the surface and the unfortunately troubling sexual politics of a movie that's operating head and shoulders above its contemporaries as far as sophistication and a sense of humor goes. You also get a good deal of background on H.P. Lovecraft, to whom the horror genre as we know it today owes a tremendous debt.

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Alright, boppers! This week Bryan and Dave put one of their favorite movies under a microscope for a giant-sized 99 Cent Rental episode about Walter Hill's 1979 gang odyssey, The Warriors. Few movies made as much of an impact on the exploitation market at The Warriors and fewer still impacted the rental market with such an iconic poster and rental box. In its day its marketing was driven by public outrage over gang violence at the movies but how much of that was true? We go over all of it. Can you dig it?

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This week Bryan and Dave take in David Cronenberg's digest of divorce horror, The Brood. Samantha Eggar spawns killer munchkins, Art Hindle isn't very good at anything he does, Oliver Reed is a condescending jerk. It's a movie possessed of a terrible anger and frustration as Cronenberg, emotionally exhausted and unable to process his feelings put it all on the page and the result is the hard divorce horror movie that meant to spit in the face of Kramer vs. Kramer. Not for the faint of heart, The Brood is often like looking into the affairs of a person who chose to confide in you specifically in order to get something heavy off their chest but are you up to the task?

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This week, Bryan and Dave are ready for their close-up as they address a listener request to explore Billy Wilder's Sunset Boulevard through the lens of horror and cult and, well, they don't exactly pull it off but they do turn in a deep dive into Hollywood's silent era, the golden age of sound, and how it manages to keep up the fabulous illusion of fantasy with a ruthless stranglehold on every piece of machinery that surrounds it and supports it, including the very people that make it all possible.

Sunset Boulevard is a drag queen's dream come true. Silent star, Gloria Swanson returns to the screen to portray the larger-than-life fallen star, Norma Desmond with grand sweeping gestures and some of the most quotable dialog in Hollywood history. Every aspect of this movie is lifted up and supported by every other piece. From Billy Wilder's writing and direction, to the photography of John Seitz, to the costuming of Edith Head, to the score provided by Franz Waxman.

Join us for a deep dive into one of the greatest movies ever produced by Hollywood.

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This week Bryan and Dave take a look at the criminally underrated horror movie by Tobe Hooper, The Funhouse from 1981. Tobe Hooper caught everyone's attention with the absolutely legendary horror movie, The Texas Chainsaw Massacre and continued to toy with the tropes established in that movie through his other killer hillbilly movie, Eaten Alive, and straight into this one when he finally seems to get it all out of his system.

Universal Pictures at the time, with their own legacy of classic black and white horror movies, wanted a piece of that hot slasher movie action of the era and secured Hooper with the hopes that he'd turn in something tuned to the expectations of the time but he surprised everyone and decided to give them a proper monster movie in the mode of their own black and white horror movies. The disparity between the studio's intentions and the director's vision results in a monster movie that succeeds despite the challenges Tobe Hooper faced.

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This week Dave and Bryan take a look at Allan Arkush's follow up to Rock n Roll High School, the rock musical Looney Tunes mayhem of Get Crazy. It's a story of three filmmakers butting heads over the movie they were trying to make. Arkush intended for a nostalgia-drenched tribute to his teenage years at The Fillmore East in the style of Scorcese's The Last Waltz, the producer wanted a fast and stupid visual comedy in the style of Airplane! and the Executive Producer wanted a movie that was going to fail and fail badly so his tax shelter investors could turn a healthy profit. Somehow, they all got what they wanted in the end.

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Bryan and Dave take a good long look at Fred Dekker's 1986 cult favorite, Night of the Creeps and come away with a vastly different view of it than when they watched it as kids. What could possibly change their minds so significantly? It's a pastiche of 50's and 60's drive in tropes filtered through a 1980's horror movie lens but unfortunately, given the way things have shaken out in modern times, some of those tropes haven't aged well at all. Thankfully, Tom Atkins is here to save everything. Thrill me!

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Bryan and Dave get ready to break the ice and take a trip back to 1986 to relive BMX madness in the form of Rad, a sports movie that fails on every front and still manages to command a significant cult movie presence in history.

It's the story of Cru Jones, a small-town kid with a dream who just need one chance to prove to the world that he's best BMX rider in the world, to prove that he's rad. Fortunately, the world is ready to just hand over the glory as he doesn't really have to work or struggle very hard to realize his dreams.

Trailer: ⁠https://www.youtube.com/watch?v=1iLuySHQkPU&t=8s

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Bryan and Dave celebrate one year of podcasting with a real deep dive into George Romero's paradigm shifting zombie epic, Dawn of the Dead. In the history of horror movies, there are only a few movies that changed the way movies are made and viewed and this is one of them. It's a zombie survival fantasy set in shopping mall with wild shifts in tone that don't always work and a graphic violence about it that its contemporaries did not share. After this one came out, everybody in Italy was suddenly making zombie horror movies.

Trailer: https://www.youtube.com/watch?v=Y_EviQj5tvA

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Listen up, hosers! Dave and Bryan love you and have sent you this Valentine's Day love letter to 1981's Canadian slasher movie classic, My Bloody Valentine. It's better than you expect it to be, with a cast of people that you actually grow to like. Sure, it's another slice and dice picture from the golden age of slashers but not too many of them paid this much attention to the craft of telling a story. How does this movie hold up to modern standards? You're going to have to listen to find out.

Trailer: https://www.youtube.com/watch?v=OWvLgL5tdkc

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This week, Dave and Bryan celebrate Black History Month with a look at Bill Gunn's delirious 1973 vampire movie, Ganja & Hess, which stars Gunn, Marlene Clark, and Duane Jones from Night of the Living Dead. It's a sleepy, dreamy art film about black identity, gender, class, and the loneliness of a man without ancestry as damaged people deal with themes of blackness in America through the gauzy lens of a vampire movie. Often lumped in with blaxploitation movies like Blacula and Shaft, it is anything but.

Trailer: https://www.youtube.com/watch?v=qEM9oEKC1Ow

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This week Bryan and Dave are joined by Jonny and Aileen from the Uy Que Horror podcast for a maddening breakdown of the Cannon Films deep cut, X-Ray (aka Hospital Massacre), starring Barbi Benton as a woman who just needs to pick up her check-up results and spends the rest of the day in a Franz Kafka nightmare, navigating a hospital staffed by intense, antagonistic hospital staff and a masked murderer from her past. This whole movie is bonkers.

Trailer: https://www.youtube.com/watch?v=UfB3HOY5Ze0

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Dave and Bryan take a look at a staple of the cult movie circuit, Brian De Palma's bizarre pop music opera and riff on gothic horror, Phantom of the Paradise. It's a wild ride through the nostalgia wave of the 1970's, standout performances from a bright cast, and the music of the movie's villain, Paul Williams, whose hair is just magnificent!

Trailer: https://www.youtube.com/watch?v=T9yof8cwli4

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Bryan and Dave are joined this week by drag performer extraordinaire, Peaches Christ, to talk about the arch-80's vampire classic from 1985, Fright Night, starring William Ragsdale, Roddy McDowall, and Chris Sarandon (making his second appearance on the pod). It's an awesome movie that could have been even better for reasons we get deep in the weeds over.

Trailer: https://www.youtube.com/watch?v=PMRH0RIEjnc

https://peacheschrist.com/

Peaches Christ on Instagram: https://www.instagram.com/thepeacheschrist/

This week Bryan and Dave take a trip to Baltimore for a look at John Waters' transitional picture, Polyester, bridging the gap between his combative, confrontational midnight shockers of the 1970s and his commercial breakthrough in the 1980s. This tour de force let the world know that Divine was more than just an art terrorist in drag but a real, capable comedic actor. When it comes to Polyester, it's the best of both worlds for John Waters fans: An overwrought domestic melodrama in the style of Douglas Sirk and the pure movie chicanery of William Castle. See it in Odorama!

Trailer: https://www.youtube.com/watch?v=0lNlEp5qH3E

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This week Bryan and Dave kick off the new year and hit peak holiday horror movie burnout when they go deep with the 1980 slasher movie, New Year's Evil. Cannon Group wasn't exactly known for horror movies and it'll take them a few years before they work it out but these nascent attempts to get a piece of the action during the golden age of the slasher turned out some really weird misfires and New Year's Evil is leading the charge. More like a giallo than anything else, it seems to possess a profound misunderstanding of what audiences were expecting from a slasher movie and delivers some seriously silly murder setpieces.

Trailer: https://www.youtube.com/watch?v=tivSU9zQXfs

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Amid the 2023 summer frenzy of Barbie-fever we discovered a movie made by the Ken doll's namesake, Ken Handler. It's a vanity project that seeks to exploit two of the mid-80's most exploitable trends: the raunchy sex comedy and the breakdance movie and commits to neither of these things. Instead, it serves as light-hearted comedic confession of Handler's classist kink for exploiting smooth, poor, and young men desperate enough to do *anything* to rise above their station in life. Join us, won't you?

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In the inaugural episode of 99 Cent Rental, brothers Bryan and Dave take a deep dive into the world of Italian exploitation movies with what is ostensibly the perfect specimen of spaghetti apocalypse movies, 1990: The Bronx Warriors. As well as being one of the better examples of the genre, it's also the debut of one of Italy's most peculiar (and tragic) stars, Mark Gregory, a young man of exceptional physique who couldn't possibly be less interested in being in movies.

Trailer: https://www.youtube.com/watch?v=utYcZ2RxC1s

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Agnes, it's me, Billy! Bryan and Dave close out their holiday season series with a real deep dive into Bob Clark's masterpiece, Black Christmas. It's the prototype for the slasher movies that followed. It's a movie stuffed with a diabolical eye for detail and unbearable tension. There's a killer so twisted and weird that you reflexively turn away. There's a cast so likable and fleshed out that you hate to see them killed. Happy holidays, from us to you. Here's a real close examination of an especially dark horror movie.

Trailer: https://www.youtube.com/watch?v=ISfeVysYBYE

It's Me, Billy fan film: https://www.youtube.com/watch?v=MHthNuEapos

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This week Bryan and Dave take a look back at Bring Me The Axe! year one and all the horror movies released in 2023. They run down the losers, the winners, and the just okay. Find out where all your favorite horror movies of this year landed and prepare to be outraged by hot takes and surprising reviews. Where did Scream 6 land? How do we feel about Skinamarink? Are we just too old to properly appreciate Five Nights At Freddy's?

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This week, Bryan and Dave are joined by author, Joe Vallese, and hope that Santa will judge them to be good because they definitely don't want to get on his bad side as they dive head first into 1984's Santa slasher movie, Silent Night, Deadly Night. The movie that went too far. The movie that put the chill on 80's slasher movies for a couple of years. The movie that parent groups organized and protested against. Did it deserve such treatment? Not really but what's America good for if not full-blown moral panics in the face of imaginary monsters.

Trailer: https://www.youtube.com/watch?v=hNBJfv5pIdY&t=1s

It Came From The Closet: Queer Reflections on Horror, edited by Joe Vallese: https://amzn.to/3tdToWu

Joe Vallese on Instagram: https://www.instagram.com/it_came_from_the_closet/

Joe Vallese on Twitter: https://twitter.com/homohorror

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Bryan and Dave have such sights to show you! This week they are joined by the co-host of the Morbid podcast, Alaina Urquhart, a demon to some, angel to others, to dive deep into one of her favorite movies and a real top-shelf of the horror canon, Clive Barker's Hellraiser. This movie sets the pace for the late 80's and the 90's in terms of horror, establishes Pinhead and The Cenobites as horror movie heavy hitters, and drives a stake deep into the landscape of horror movies to let the world that know Clive Barker is one of the most original voices in the history of horror fiction and movies. It also features a lot of people sticking their fingers in each others mouths. Satan's done waitin'!

Trailer: https://www.youtube.com/watch?v=OpEQNEHKdXg

Morbid: https://open.spotify.com/show/1cpyLfDHP1cNnyOb478qrt?si=c09012615b2f4fe3

Buy Alaina's novel, The Butcher and the Wren!

Unreleased Themes For Hellraiser by Coil

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Bryan and Dave of the Bring Me The Axe! horror podcast are pleased to announce their new show, 99 Cent Rental, a podcast dedicated to the trashy, cheesy weirdness that choked video store shelves. If you like movies with hunky action star lookalikes, dubious martial arts, or breakdancing you're in the right place!

Episodes drop every other monday, opposite Bring Me The Axe episodes. Listen to the announcement to hear which three movies we're kicking the podcast off with.

Just in time for Thanksgiving, Bryan and Dave dive head-first into the wildly inconsistent shit show that is Blood Rage. Marvel at the utterly deranged performance from Louise Lasser, thrill to the low budget gory special effects that are way better than the movie deserves, cringe like you've never cringed before to the movie's many intimate and sexy scenes that encapsulate the early 1980's like few other horror movies. It's a real journey.

Trailer: https://www.youtube.com/watch?v=3jwQ11osTWw

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As we near the holiday season, Bryan and Dave darken your doorstep with the low-budget howling madness of 1989's Elves, a movie that under-delivers on elves and over-delivers on incest. If you've ever wondered what Jim Wynorski's version of Gremlins would be this one lands pretty close to the mark as Dan "Grizzly Adams" Haggerty attempts to uncover the truth about a murderous elf creature and protect her from Nazis and her own sadistic mother while chain smoking.

Trailer: https://www.youtube.com/watch?v=GLo795JFfpg

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Bryan and Dave are joined by Teri Gamble of the Horror Movie Survival Guide podcast to talk about Disney's bizarro 80's period where they experimented with more mature films resulting in one of their most easily-forgotten titles, The Watcher in the Woods. At one time, Disney producers and executives were convinced that this was going to be their finest hour, a horror movie to rival The Exorcist. Nowadays, if it's remembered at all, it's remembered for not making a whole lot of sense and having been pulled from theaters for extensive reshoots and two endings that had to be thrown out.

Trailer: https://www.youtube.com/watch?v=3DFacqQp8uw

Watcher in the Woods original ending A: https://www.youtube.com/watch?v=Bkpf2IzmMVg

Watcher in the Woods original ending B: https://www.youtube.com/watch?v=nj7BTISeq7E

Horror Movie Survival Guide: https://horrormoviesurvivalguidepodcast.com/

Teri Gamble on Instagram: https://www.instagram.com/theterigamble

Teri Gamble on X: https://twitter.com/TheTeriGamble

Teri Gamble on Facebook: https://www.facebook.com/theterigamble/

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Bring Me The Axe! concludes its exploration of the Halloween legacy just in time for Halloween with an epic-length love letter to John Carpenter, Debra Hill, and their landmark creation. Halloween represents a major paradigm shift in horror movie and sets the pace for every horror movie that came in its wake. It's elegant. Every piece of the production is working in perfect harmony with the other pieces. The end-product is greater than the sum of its parts. It is a perfect horror movie and it's not surprising in the least that everyone is still obsessed with it.

Trailer: https://www.youtube.com/watch?v=T5ke9IPTIJQ

Men, Women, and Chainsaws by Carol Clover: https://amzn.to/3QjtV5h

Halloween Unmasked: https://open.spotify.com/show/6nwME42dhsc04T0KFzvGgB?si=434ac60f2c88482f

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This week, Bryan and Dave are joined by The Horror Chick, Heather Wixson to get grimy and talk about Rob Zombie's arch-2000's horror movie remake, Halloween. It reimagines Michael Myers, the silent destroyer, once a little boy with a family of mean dirtbag shitheads and a loving, overprotective mother and Sam Loomis as a selfish, fame-chasing jerk.

Trailer: https://www.youtube.com/watch?v=Z5oFtbWvJRY

Monsters, Makeup and Effects: https://amzn.to/45GfJt6

Monsters, Makeup and Effects 2: https://amzn.to/45GfJt6

Heather Wixson on Twitter: https://twitter.com/thehorrorchick

Heather Wixson on Instagram: https://www.instagram.com/thehorrorchick/

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Bryan and Dave square off against one of the all-time horror movie greats on the most appropriate calendar date of the year. It's 1980's Friday the 13th, a movie made by pornography producers looking to take away a little of that sweet Halloween money for themselves and accidentally set the pace for slasher movies in the 80's. If you had a little cash on-hand with which to make a movie, you set it at a summer camp and killed off a bunch of teenagers for maximum return based on the least possible effort.

Trailer: https://www.youtube.com/watch?v=aDrOvFtzyPQ

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This week, Bring Me The Axe! kicks off their month-long examination of the Halloween legacy as Bryan drags Dave kicking and screaming through David Gordon Green's 2018 series revision. It's a deeply flawed movie that's way better than you expect a Halloween sequel or remake to be and it reduces the series to its roots while whiffing on move than a few points. Get all the details within!

Trailer: https://www.youtube.com/watch?v=ek1ePFp-nBI

Taking Shape: https://amzn.to/46whnxZ

Taking Shape 2: https://amzn.to/46ulDy4

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In honor of Hispanic Heritage Month, Bryan and Dave take a trip to Mexico City to celebrate their favorite Ruben Galindo Jr. movie, Don't Panic. It's a blatant a cash-in on the success of Evil Dead and A Nightmare on Elm Street that has so many bizarre qualities to it that you can't help but love it. It's about the love of a grown-ass man and his dinosaur pajamas. It's about the tension between best friends, who might also be enemies? It's about the love shared between two people who no chemistry whatsoever.

Trailer: https://www.youtube.com/watch?v=MeE1slSpJ_Q

Bring Me The Axe! on Instagram: https://www.instagram.com/bringmetheaxepod/

Dave on Instagram: https://www.instagram.com/thatqueerwolf/

Bring Me The Axe! on Bluesky: https://bsky.app/profile/theaxepod.bsky.social

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This week Bryan and Dave close out their What The Fuck?? series with a children's movie that terrorized an entire generation in Canada, The Peanut Butter Solution. It's a tale of loss and woe when a child loses his hair due to a terrible fright and deals with it poorly. There's also some real nightmare material in there about being kidnapped by a teacher and forced to work in his child slave labor prison. Also, you'll be amazed at how many Simpsons references these guys can stuff into a single podcast.

Trailer: https://www.youtube.com/watch?v=I2Cm4Cy3rxs

Listen to the Magic Man by Celine Dion: https://www.youtube.com/watch?v=HjHiosqcPbs

Bring Me The Axe on Instagram: https://www.instagram.com/bringmetheaxepod/

Bring Me The Axe on Bluesky: https://bsky.app/profile/theaxepod.bsky.social

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This week Bryan and Dave are joined by actor, comedian, and made-for-tv movie expert, Sam Pancake to talk about Dan Curtis (of Dark Shadows fame) and his 1976 gothic melodrama, Burnt Offerings. We cover the movie, of course, hear a nice tale of how pleasant and sweet Karen Black was, much to our delight, and hear a second-hand tale about Oliver Reed's tattooed penis.

Trailer: https://www.youtube.com/watch?v=Oo_6Fb5k2lo

Sam Pancake on Twitter: https://twitter.com/jsampancake

Sam Pancake on Instagram: https://www.instagram.com/thesampancake/

Sam's podcast, The Monday Afternoon Movie: https://www.patreon.com/mondayafternoonmovie

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At long last, Bryan and Dave kick off their What The Fuck??? series with Ted Posts deeply troubling, alienating, and off-putting thriller, The Baby, from 1973. Dave thinks it doesn't make any sense. Bryan disagrees strongly, declaring it one of his all-time favorite movies. The Baby is unpredictable at every turn and shocks all the way to the end.

Trailer: https://www.youtube.com/watch?v=vITUjvwnavc

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Bryan and Dave are joined this week to close out their Stephen King Rules! series by Stephen King superfan, Julia Marchese, to talk about the picture that ended the Dino De Laurentis/Stephen King dynasty in the 1980's, Silver Bullet. It stars Corey Haim before he was the teen idol of the 1980's as well as Everett McGill and Gary Busey in a picture where it's kids vs. a werewolf.

Trailer: https://www.youtube.com/watch?v=n1dClCykQys

Julia Marchese on Twitter: https://twitter.com/juliacmarchese

Julia's podcast, The Horror Movie Survival Guide: https://podcasts.apple.com/us/podcast/horror-movie-survival-guide/id1260663982

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This week kicks off our Stephen King Rules! series as Bring Me The Axe! takes on Stephen King's first and last credit as director, the undisputed document of cocaine confidence, Maximum Overdrive from 1986. It's an ill-advised adaptation of his own short story, Trucks, that features a lot explosions, big trucks, and Yeardley Smith screaming.

Trailer: https://www.youtube.com/watch?v=pwYcnnbiRB4

FYI, the music in the trailer is from Halloween 3, not Christine.

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This week, Bring Me The Axe! heads to Camp Arawak to explore one of slasher history's most unhinged entries, Sleepaway Camp. What could have been forgotten by history as just another Friday the 13th ripoff is elevated to a truly special place by a parade of dubious directorial decisions, a handful of positively insane performances, and a real wild twist ending that we spoil right from the get-go.

Trailer: https://www.youtube.com/watch?v=T9K2ARikYzE&t=1s

Sources: https://sleepawaycampfilms.com/

Going Back To Sleepaway Camp by BJ Colangelo

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This week Bring Me The Axe takes a look at 1981's Madman, a truly weird entry into the early 80's slasher canon. A cast of pleasant, reasonable, and thoughtful counselors at Thanksgiving Gifted Camp face off against a slasher that may be a monster or a zombie or who knows? It's really never clear what Madman Marz is supposed to be. But we get Dawn of the Dead's Gaylen Ross, acting under a pseudonym, as one of horror's worst final girls and Madman Marz has his own theme song.

Trailer: https://www.youtube.com/watch?v=Y5X3HqpKZJg

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It's a holiday bonus episode for July 4th! Celebrating Steven Spielberg's landmark accomplishment and one of the all-time greatest movies, Jaws! It's a stealth examination of 70's masculinity as the old man plays tug of war against the new man while a monstrous great white shark terrorizes an island vacation destination.

Trailer: https://www.youtube.com/watch?v=U1fu_sA7XhE

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Bring Me The Axe closes out their Pride 2023 series with an enthusiastic love letter to James Whale's 1932 pre-code classic for Universal, The Old Dark House, a movie about class consciousness, secrecy, Lilian Bond's feet, and super gay double entendres. It is a perfectly executed piece of gothic horror starring Boris Karloff that must be seen to be believed.

Trailer: https://www.youtube.com/watch?v=WqhzhNoTKps

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Bring Me The Axe kicks off its Pride 2023 series with a mostly unremarkable movie that remains in the horror movie memory thanks entirely to contributions from gay artists, the 1986 horror comedy Vamp, starring Chris Makepeace, Robert Rusler, and Grace Jones. In an attempt to make a story about two very good friends trying to wheel and deal their way into a college fraternity, writer/director, Richard Wenk, accidentally tips the movie into queer territory with a story about the unrequited love of one man for another. You'll also learn way more about Keith Haring and Robert Mapplethorpe than you were probably expecting to in a chat about how awesome Grace Jones is.

Trailer

Interview with produce Donal Borchers

Dracula Bites The Big Apple

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This week Bring Me The Axe closes out their School's Out series, taking a look at the 1982 slasher picture, The House on Sorority Row, from director Mark Rosman, a hidden gem of the genre that remarkably passes the Bechdel Test. It's a movie about a prank gone wrong, secret medical experiments, and a girl who owns a 1970's style fuck van. The House on Sorority Row features soap opera stars, Kate McNeil and Eileen Davidson, as well as Lois Kelso and we enjoyed this movie a whole lot.

Trailer: https://www.youtube.com/watch?v=IKMrteGf6q8

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This week, Bring Me The Axe kicks off their School's Out series, taking a look at the 1981 slasher also-ran, Final Exam, a movie that should be stuffed down the horror movie memory hole were it not for its one secret weapon, a weirdo nerd character named Radish and his ongoing series of bizarre bon mots. Final Exam can't decide if it's Animal House or Halloween and doesn't do a very good job of ripping off either of them. But we're going to ride this one out to see if our precious Radish can survive the killer's knife.

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Look, we value your time and know that you want to know what you're getting into when you pick up a new podcast so here's a little taste of what to expect in the Bring Me The Axe horror movie podcast, hosted by actual brothers, Bryan and Dave White.

This week Bring Me The Axe breaks down one of the four werewolf movies released in 1981, Joe Dante's iconic The Howling. It's a wild ride made notable by its awesome special effects and dark comedic tone. And it's a treat for fans of of classic horror movies with cameos from Roger Corman and Forrest Ackerman, not to mention dozens of references to other werewolf movies. It's one of the all-time greats.

Trailer: https://www.youtube.com/watch?v=pZARVBpjC1I

Trailers From Hell, with Josh Olson: https://trailersfromhell.com/howling/

Horror's Hallowed Grounds with Sean Clark: https://www.youtube.com/watch?v=temUGpwfmjc

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This week Bring Me The Axe takes a look at the 1977 Michael Winner clone of The Omen/Rosemary's Baby, The Sentinel. Ostensibly the most Catholic horror movie ever made, it's also about as paranoid as a horror movie can be. One damned soul, alone must stand watch over the gateway to Hell and Alison Parker is next in line to take on the mantle. Along the way, literally everyone will manipulate her toward their own ends.

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This week Bring Me The Axe takes a look at William Lustig's 1980 roughie, Maniac, starring Joe Spinell and Caroline Munro. Bryan also goes off on a long tangent about the time he met Tom Savini and how it haunted Savini for years.

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This week, Bring Me The Axe takes a look at the utterly deranged 1982 slasher picture, Pieces. This one has it all: Chainsaws, gratuitous nudity, buckets of blood, hysterical screaming, and THRILLING TENNIS ACTION! "It's exactly what you think it is."

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This week, Bryan and Dave take a look at the arch riff on Whatever Happened To Baby Jane from 1981, Butcher, Baker, Nightmare Maker, starring Jimmy McNichol and Susan Tyrell. Campy doesn't even begin to cover this one. In what is becoming a disturbing trend at Bring Me The Axe, it's another story about inappropriate family love and the extent that a parent will go to keep their son close to them.

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In this inaugural episode, Bring Me The Axe dives headfirst into the sequel to the original Amityville Horror phenomenon, 1982's Amityville 2: The Possession. Perhaps the most Italian horror movie made in America at the time, it's a movie about a brother and sister and the really weird, totally inappropriate sexual chemistry between them. And then the haunted stuff happens.

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