Today I’m looking at Repo Man (1984), this strange mix of punk LA, crime story, and sci-fi paranoia that just kind of exists in its own lane. It doesn’t really behave like a normal narrative — it drifts, it breaks rules, and half the time it feels like it’s not interested in explaining itself at all. What holds it together is that deadpan energy and the feeling that everything is slightly unhinged but somehow still deliberate.
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