This time, we talk about communications between a game’s designer and its players—especially the GM—both implicit and explicit.
We also refer again to our previous questions, written by Nathan and refined/revised through our conversations, about (but not just about) GM tasks, authority, and responsibility:
What need to be created (or established)?
- Why does it matter who does it?
- Who does the buck “stop with” in terms of content?
- Who maintains authority over it once play begins?
What’s the propellant?
- Who does what to make the (plot/action/story/situation/etc.) dynamic?
- Who does what to keep it going?
What makes things “interesting” (and what does "interesting” mean in your game)?
- Where does antagonism, challenge, or fictional friction come from?
- What makes things non-trivial or non-obvious?
- What makes the outcome of the game both unpredictable and inevitable?
Which personal visions for play do you prioritize (and why, and when)?
- How do you handle the conflict of personal visions?
- What structures in your game require or support the shift of emphasis in personal visions between different players in the game?
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Music is “Dances and Dames” by Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 3.0
http://creativecommons.org/licenses/by/3.0/