Little Gold Men by Vanity Fair

David, Richard, and Rebecca discuss the jam-packed Cannes lineup, and even predict which film they think might win the Palme d'Or. They also weigh in on the announcement that the Oscars will include a stunt design category. Finally, they're joined by Vanity Fair's executive digital director Mike Hogan to talk about his fascinating 'Twin Peaks' article, and his deep dive into the show's legacy.

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David, Richard, and Rebecca talk about the season three finale, what they thought about the bloody ending, and if the right characters died. They also point out some annoying plot holes before analyzing which of the supporting actors could get Emmy nominations this year. Plus, Rebecca interviews Aimee Lou Wood about Chelsea's journey on the show, and why she, in a way, got what she wanted.

David, Richard, and Rebecca get into one of their favorite new shows of the year, the Michelle Williams-Jenny Slate vehicle Dying for Sex (streaming on Hulu starting Friday), before answering more listener questions about new comedies worth watching, the spy dramas in the hunt for Emmy love, and the state of the reality-competition landscape, fresh off of standout Survivor and Drag Race episodes.

This week, David, Rebecca, Richard reflect on a range of cursed theatrical releases from this month—including ‘Snow White’ and ‘The Alto Knights’—to examine the larger problems plaguing the box office. Then, the hosts discuss the highs and lows of Apple TV+’s The Studio, which satirizes the current state of Hollywood, as well as a few other shows picking up steam with audiences.

David and Rebecca are joined by Vanity Fair television correspondent Joy Press to dish about the bloody and heart-wrenching Severance finale, which aired on Thursday. They chat about the episode's most surprising turns and the stand-out performances of the cast before looking at the show's Emmy chances. Then, David speaks with Severance star Britt Lower about her dual roles as Helena and Helly R and how she felt when she first read the script for the finale.

Happy beginning of Emmy season! Vanity Fair staff writer Chris Murphy joins David and Rebecca to highlight the best new shows to have aired this Emmy cycle so far—from Max’s The Pitt to Hulu’s Say Nothing—before asking the biggest outstanding questions across the drama, comedy, and limited series fields: Is this Severance’s year? Can anything beat Hacks? And is the year‘s great limited series officially here?

As one Oscar season ends, another one begins. Today, David, Richard, and Rebecca game out the awards season to come with some ridiculously, joyously premature predictions in major categories. They discuss the new Avatar and Wicked films, the return of Paul Thomas Anderson and Kathyyn Bigelow, and potential first-time nominees in Idris Elba, Adam Sandler, Zendaya, and more.

David, Richard, and Rebecca gather to recap and analyze Sunday night’s Oscars, from the biggest surprises—Mikey Madison, first and foremost—to the inevitable ultimate Anora triumph. Plus, David and Rebecca take you inside the show, as well as the starry VF after party that followed.

Can Conclave stop Anora’s ascent? Will Adrien Brody beat Timothée Chalamet? And can Fernanda Torres pull off one of the greatest best-actress upsets in Oscar history? It's time for David, Richard, and Rebecca to make their final predictions for all 23 Oscar categories, ahead of the big show on Sunday.

Join our Oscar pool here!

To catch the Vanity Fair Oscar Party livestream, tune in at vanityfair.com or on VF's YouTube channel from 9 pm PT to 11 pm PT on March 2.

The LGM team is joined Variety chief correspondent Daniel D'Addario this week to talk about his new book, The Talent, which centers on a fictionalized best actress Oscar race. The novel, which is available now, has lots of juicy insider details that D'Addario has gathered in his years of covering entertainment. David, Richard, and Rebecca discuss with him why the best actress race is often the most dramatic, and what he thinks about this year's cut-throat race. Plus, D'Addario sticks around to answer some listener questions like why don't voters watch all the movies?

Join our Oscar pool here.

David, Rebecca, and Richard are joined by last year's winner of the Little Gold Men Oscar pool to learn how she pulled off a near-perfect predictions list, and what wisdom she has to keep in mind for this year. The hosts also analyze how the BAFTA Awards may have impacted the race, and break down the Oscar-nominated short films, from the best of the bunch to the likeliest winners (not the same thing).

This week, director Walter Salles joins the show for an in-depth conversation about I’m Still Here—his Brazilian drama that came out of nowhere to nab three Oscar nominations including best picture. He reflects on the film’s political prescience, impassioned fanbase, and more

Richard, David, and Rebecca unpack a wild weekend in the Oscar race, taking you inside the rooms of the Critics Choice Awards, the DGA Awards, and the PGA Awards—and what it means that Anora swept all three of them. Then they discuss which movies still might be able to come from behind to compete for the best-picture Oscar, before taking a vacation to Thailand for a conversation about The White Lotus's third season, and whether it lives up to past installments.

The first-time Oscar nominee talks to Rebecca about how much playing Glinda the Good Witch transformed her, from permanently changing her vocal cords to shifting her emotionally as well. Plus, she talks about how she survives living a very public life and plays a round of Proust Questionnaire Roulette.

The Little Gold Men team discusses the scandal centered on the Emilia Pérez star's offensive tweets, her botched apology tour, and the fallout it may have on the film's Oscar chances. They also debate what film is now the frontrunner for best picture after this unprecedented scandal. Plus, they answer a few more of your mailbag questions, like what the heck happened with Challengers?

The Oscar winner is up for his second Academy Award for his towering performance in The Brutalist. On this week’s episode, Brody candidly speaks on the AI controversy surrounding his film, reflected on his career since winning his first Oscar, and more.

Richard calls in from Park City, Utah, where he's wrapping his time at the 2025 Sundance Film Festival, and joins David and Rebecca to break down the best films—and possible Oscar contenders—to premiere in this year's program. Then, the hosts answer some post-Oscar nominations listener questions, from the frontrunner status of Emilia Pérez to the rapid surge of A Complete Unknown.

The Anora helmer earned his first Oscar nomination this year, and also made history by joining a small group of filmmakers who have nabbed four nominations in one year (he landed noms for director, picture, original screenplay, and editing). In celebration of this momentous achievement, we're revisiting Rebecca's chat with Baker from October 2024, in which he reflects on winning the Palme d'Or and reveals his unique -- and quite slow -- way of making movies.

David, Rebecca, and Richard lay out all of the snubs and surprises to come out of this year's Oscar nominations, from I'm Still Here's shocking appearance in the best-picture lineup to the dominance of the divisive Emilia Pérez, which earned 13 nominations. Plus, they discuss who appears in it to win it now that the dust has settled, including a few unexpected underdogs.

We procrastinated as long as we could, but it’s finally time for David, Richard, and Rebecca to predict the nominations ahead of the Jan. 23 announcement. They weigh in on all the acting categories, including the wild best actress race, and reveal what might surprise in the best picture lineup. They also answer a few listener questions along the way. 

David, Richard and Rebecca discuss the cascading ways the Los Angeles wildfires are effecting awards season. Plus, what were most excited to see this year at Sundance. 

David and Richard unpack some truly bizarre SAG Award nominations and who they have boosted (Jonathan Bailey!) and who is falling (a few Oscar-winning actresses, to start). They also discuss the best-picture frontrunners outlined by the directors’ guild, Richard’s time at the National Board of Review gala, and the terrifying impact of the Los Angeles fires. 

It’s the day after the 2025 Golden Globes Awards and the *Little Gold Men* team is recapping how it all went down, from the best acceptance speeches to the gossip at the afterparties. Rebecca and David, who were at the Beverly Hilton, share some of the most interesting insights from attendees at the show, and Richard joins them to discuss how some of the best acceptance speeches give certain actresses a big leg up in the very competitive best actress category for the Oscars.

David, Richard, and Rebecca ring in the New Year as only an awards podcast can—with awards predictions! The host break down the major film categories ahead of Sunday’s Golden Globes, from obvious frontrunners to a few candidates primed to shake up the Oscar race.

Speaking live in front of an audience at the Denver Film Festival, the actor revealed how she and director Mike Leigh reunited almost 30 years after making Secrets & Lies. She also told Rebecca and Richard about the unusual process she went through to create Pansy, which required her to take inspiration from 100 real people. Finally, she answers a few audience questions, and lets everyone know what type of role she's still itching to play.

Happy Holidays! Rebecca spoke with British actor Nicholas Hoult about his latest film, Nosferatu, which hit theaters Christmas Day. Hoult is having a very busy season, with three films — Nosferatu, The Order, and Juror #2—coming out within a few weeks of each other. He revealed his crazy shooting schedule for all three back-to-back, and spoke about working with the directors, who all had very different styles. Plus, he played a round of Proust Questionnaire Roulette.

For their final roundtable of 2024, David, Richard, and Rebecca break down the biggest movie releases around Christmas—as well as some of the smaller titles to keep your eye on. Later, they’re joined by a special guests (VF editors Radhika Jones and Mike Hogan) for a deep dive into the Bob Dylan biopic, A Complete Unknown. Plus, an analysis of the Oscar shortlists. 

Following her Oscar nod for King Richard and celebrated lead turn in Origin, Ellis-Taylor is back in the awards race for Nickel Boys—and ready for the tough conversations that come with it: “I wish I had the volume of choices that my white women contemporaries have.”

The Oscar-nominated actress talks to Rebecca about the film's bold and honest take on motherhood and relationships. While making the film, in which she plays a mother who is convinced she's turning into a dog, Adams says she learned to accept both her character and herself in a new way. "I wasn't judging myself, and I was meeting her where I was at and approaching it without vanity," she says. Plus, Adams looks back on making films like Enchanted and Sunshine Cleaning, and reveals what she did when she debated leaving acting for good.

David, Richard, and Rebecca break down all of the major surprises (Pamela Anderson! Kate Winslet!) and snubs (No Danielle Deadwyler or Marianne Jean-Baptiste?) from Monday's Golden Globes nominations announcement—both in terms of how they might impact the Oscar race, and how they reflect a (somewhat) changed Globes membership.

It's a very busy week on the awards front, and the LGM team is here to break down all the snubs and surprises. First, they discuss Monday night's Gotham Awards, where Richard was in the room, and then they break down the New York Film Critics Circle's honorees. Finally, they take a deep dive into the Indie Spirit Awards nominations, and explain why films like Sing Sing and Nickel Boys are the big winners of the week so far. 

Check out Richard's list of the Best Movies of 2024 here. 

This week, James Bond himself joins the show to discuss his career-best turn in Luca Guadagnino's Queer—and how it compelled him to rethink everything from James Bond script leaks to loosening up on set.

“The Piano Lesson” star John David Washington joins Richard and David live at the Perelman Performing Arts Center in New York to discuss collaborating with his brother (director Malcolm Washington), his performance of the original August Wilson play on stage, and how his professional football career informs his acting. 

The actor chats with Rebecca about her connection to August Wilson, carving her own path, and what exactly cicadas and Hollywood have in common. Plus, she reveals more about herself while playing Proust Questionnaire Roulette.

With both Gladiator and Wicked opening in theaters this weekend, Rebecca, David, Richard, and special guest Chris Murphy discuss how both films will do at the box office, and if they’ll be on the road to Oscars next. Plus, Rebecca catches everyone up on the star-studded Governors Awards, and the hosts react (happily) to the news that Conan O’Brien will host the Oscars in March.

This week, Rebecca talks with the Aftersun Oscar nominee, Paul Mescal, who stars in Ridley Scott's long-awaited sequel.  The indie darling reveals why he finally said yes to a blockbuster, the sage advice he got from his director, and why he's been working at such an intense pace since Normal People. Plus, he answers the Proust Questionnaire, revealing his greatest (mini) extravagance.

This week, the hosts share their report out of the inaugural public screening of Nosferatu in Hollywood, which saw journalists and Academy members sitting side by side (and occasionally covering their eyes in horror). The film is officially a player in the race, but to what degree? The hosts get into all that, unpack how the best-director race is shaping up, and answer a few remaining listener questions.

The iconic actress joins David this week to discuss her career-best work in The Substance, from the intensity of the shoot to the incredible response the film has been getting these last few months: “I truly couldn’t have imagined this.”

As a salve for this week's election news, we've got a mailbag episode. The hosts dig into the many questions sent in by listeners over the last past month, including their thoughts on awards chances for Saoirse Ronan, Demi Moore, and Jesse Plemons. Plus, they attempt to answer one listener's creative question about a Best Picture Quarter Quell, and they reveal what movies they seek out when they want to escape from work (or real life!) completely.

Join us for conversation with Marianne Jean-Baptiste following the Hard Truths screening at the Denver Film Festival. Tickets and more information can be found here. 

For the first live Little Gold Men of the season, A Real Pain star Kieran Culkin joins us at the SCAD Savannah Film Festival for a lively, freewheeling conversation about everything from working with Jesse Eisenberg to the struggle to leave Succession behind to his fond memories of filming Scott Pilgrim vs. the World. To open the show, David and Richard also outline the highlights of Savannah at a crucial point in the Oscar race—and how this regional festival can be a perfect platform for contenders seeking a boost.

Appropriate for this Halloween special, David and Rebecca can finally break their silence on Wicked, Jon M. Chu's blockbuster adaptation of the Broadway phenomenon, and reveal why they think the musical just might have the Oscar goods. Later, the hosts discuss the potential for certain horror movies like The Substance and Nosferatu to overcome voters' genre bias and make a play this season.

Come see LGM hosts Richard and David interview John David Washington in New York's Perelman Performing Arts Center on November 1. Tickets are available now at pacnyc.org. Use discount code ICONS30 for 30% off.

Join us for conversation with Marianne Jean-Baptiste following the Hard Truths screening at the Denver Film Festival. Tickets and more information can be found here.

The four-time Oscar nominee talked to Rebecca about learning to deliver lambs and singing in front of a crowd for The Outrun and Blitz. Plus, she reminiscences about going to her first Oscars ceremony at 13, and reveals that she's ready to play a baddie.

Come see LGM hosts Richard and David interview John David Washington in New York's Perelman Performing Arts Center on November 1. Tickets are available now at pacnyc.org. Use discount code ICONS30 for 30% off. 

Join us for conversation with Marianne Jean-Baptiste following the Hard Truths screening at the Denver Film Festival. Tickets and more information can be found here. 

Rebecca, Richard, and David take a look at the submissions for the Globes' musical/comedy category which include some surprises like Anora and Heretic. The LGM team also dives deeper into the strategy behind lead and supporting submissions, including their admiration for Julianne Moore and Tilda Swinton's gamble on both going lead.  Plus, they break down the surprisingly thin best actor race, and Rebecca recounts the glitzy LA premiere for Gladiator II.

Come see LGM hosts Richard and David interview John David Washington in New York's Perelman Performing Arts Center on November 1. Tickets are available now at pacnyc.org. Use discount code ICONS30 for 30% off. 

Join us for conversation with Marianne Jean-Baptiste following the Hard Truths screening at the Denver Film Festival. Tickets and more information can be found here. 

Little Gold Men LIVE with special guest Kieran Culkin at Savannah Film Festival is sold out, but there will be a standby line. More information can be found here. 

In a career-spanning conversation, the Oscar-nominated actor who’s experienced decades of ups and downs in Hollywood discusses his new film Conclave, the potential Devil Wears Prada sequel, and his budding career as a beloved food commentator.

Join us for conversation with Marianne Jean-Baptiste following the Hard Truths screening at the Denver Film Festival. Tickets and more information can be found here. 

Little Gold Men LIVE with special guest Kieran Culkin at Savannah Film Festival is sold out, but there will be a standby line. More information can be found here. 

Can acclaimed performances from Mikey Madison (Anora) and Karla Sofía Gascón (Emilia Perez) outshine the star power of Nicole Kidman and Angelina Jolie? David, Rebecca and Richard map out the best actress race so far and make the case for some passion picks. Plus, a preview of films coming out this weekend.

Join us for conversation with Marianne Jean-Baptiste following the Hard Truths screening at the Denver Film Festival. Tickets and more information can be found here. 

Little Gold Men LIVE with special guest Kieran Culkin at Savannah Film Festival is sold out, but there will be a standby line. More information can be found here. 

Winning the Palme d’Or was Baker’s singular goal for the past 30 years. Now, he’s fighting for the protection of theatrical releases.

Rebecca, Richard, and David talk break down the supporting-actor Oscar race this week, with a specific focus on The Apprentice (in theaters this weekend) and whether Jeremy Strong can challenge his old Succession costar Kieran Culkin and other heavyweights like Guy Pearce and Stanley Tucci. Later, the hosts discuss the highlights from the New York Film Festival—including the long-awaited unveiling of Steve McQueen's Blitz.

Join us for Little Gold Men LIVE with special guest Kieran Culkin at Savannah Film Festival. Tickets and more information can be found here. 

André Holland has spent the past decade stealing scenes in projects by the likes of Barry Jenkins, Steven Soderbergh, and Ava DuVernay. But on this week's Little Gold Men, the versatile actor talks about his thrilling shift into lead roles—including in the acclaimed Sundance debut Exhibiting Forgiveness (in theaters October 18) and, hopefully, a new season of The Knick: "I’m not going to rest until we get it done."

On this week’s roundtable, David, Rebecca, and Richard dive deep into Todd Phillips’s anticipated Joker sequel. They’re in agreement on two points: It’s not very good, but Lady Gaga still gives a great performance. From there, the hosts predict and debate the competitive supporting-actress Oscar race, and whether Gaga—not to mention other pop stars-turned-actors like Ariana Grande and Selena Gomez—will make the cut. Plus, stick around for some special announcements about Little Gold Men’s upcoming live tour.

We don’t often feature voice performances on this podcast, but there’s a reason why we made an exception for Lupita Nyong’o, who does exceptional work at the center of the critically acclaimed animated feature The Wild Robot. For this week’s interview, Nyong’o reflects on how far she’s come from her Oscar win a decade ago and how she stays discerning in Hollywood amid so many industry shifts. Plus, Nyong’o plays Proust Questionnaire Roulette, revealing her fictional hero and what she considers the most overrated virtue.

Rebecca, Richard and David reveal their top ten picks for Best Picture to each other and defend their choices. Plus, a recap of TIFF awards and acquisitions.

Remember to draft your team for Vulture’s Movies Fantasy League by October 3 here, and don’t forget to add “Vanity Flair” on your entry form to join our league. 

Perhaps the most patient man in Hollywood, Richard Linklater talks to Rebecca about the 23-year journey of making Hitman. “I'm not afraid to sit with something and just wait until the time is right,” says Linklater, who has also filmed two more movies that both took more than a decade to make.

This week, Sebastian Stan joins the show to discuss his anticipated fall films A Different Man and The Apprentice, which together mark the most exciting moment for his career thus far. The Emmy nominee discusses the elaborate make-up jobs required for both films, his struggles in getting to star in projects of this caliber, and why he believes his Donald Trump movie is worth seeing—even though (or perhaps especially because) he's heard all kinds of arguments to the contrary.

It's the day after the Emmys, and Richard, David, and Rebecca are here to break down all of the highs and lows from TV's biggest night. The hosts discuss the thrilling surprise win for Hacks as best comedy (as well as why The Bear lost), the impressive showings from newcomers Shōgun and Baby Reindeer, and why Dan and Eugene Levy's amiable hosting performance couldn't make up for a lackluster program.

Remember to draft your team for Vulture’s Movies Fantasy League by October 3 here, and don’t forget to add “Vanity Flair” on your entry form to join our league. 

David, Richard, and special guest Hillary Busis call in from Toronto in the midst of a very busy festival, where the Oscar race is rapidly taking shape. Along with Rebecca, they discuss some of the best films to premiere in Canada this past weekend, including Hard Truths and The Wild Robot, and ponder what’s best positioned to win the festival’s audience award—a crucial Oscar harbinger.

The director of the hit franchise talks to Rebecca about the first two films, which he calls “the biggest technical challenge of my life," and his plans for the future.

Back from the Venice and Telluride film festivals, Rebecca, Richard and David discuss all the movies they've seen so far and some of their favorite encounters. 

The His Three Daughters star has been thinking about a lot lately — her volatile past, her industry’s perilous state, loneliness, and hitting the red carpet with “one of those metal faces and a little beady red eye.” All that on top Oscar buzz, her new Hollywood chapter, and wanting a “third boob.” Allow her to connect the dots. Plus, a new segment called Proust Questionnaire Roulette. 

As the acclaimed Apple TV series returns for a second season, we revisit Rebecca’s interview with show creator Soo Hugh. The pair discuss the emotional pitch process, international shoots, and Asian representation in Hollywood.

Richard, David and Rebecca discuss the newly-announced Telluride lineup and offer some pro tips for making the most of film festivals. For this month's final Director Discussion, the hosts discuss Pedro Almodovar, whose upcoming film The Room Next Door premieres at Venice next week.

The breakthrough actor joins Rebecca to chat about performing alongside Coleman Domingo, how embracing theater and vulnerability changed his life, and what’s next in his acting career. 

David, Rebecca, and Richard weigh in on the news that Dan and Eugene Levy will host the Emmys, while looking back at the best and worst hosts from years past. Plus, they analyze three tight races as Emmy voting wraps up, and for the ongoing Directors Discussion, take a closer look at Pablo Larraín's filmography and upcoming film Maria.

The Emmy-nominated actor, who played a closeted state department employee in the decade-spanning series Fellow Travelers, tells Rebecca that he's given up the quest for a perfect take: “I'm actually kind of hoping to fall on my face.”

The beloved mockumentary series is up for nine Emmy awards, including Outstanding Comedy Series, but that’s nothing new. In fact the show and its cast have been nominated for and won Emmy awards in top categories every season since its debut. In this bonus episode, we revisit Rebecca’s interview with the show’s creator and star, Quinta Brunson. They spoke in July 2022, just after she’d heard about the flurry of nominations for Abbott Elementary's first season.

It's mailbag week! The hosts dig into the many questions sent in by listeners over the last past month, with the Telluride and Venice film festivals only two weeks away. They cover the breaking news surrounding Jason Reitman's Saturday Night premiere, potential narratives for best-actress contenders Amy Adams and Nicole Kidman, whether any big twists in the season are on the way, and much more. Plus, the August Directors Discussion series continues with a deep dive into the work of Nightbitch director Marielle Heller.

The Emmy-winning Mad Men star is nominated this year for two very different roles in Fargo and The Morning Show. But, as he tells David Canfield in a wide-ranging conversation, they share a prescience that’s hard to ignore this election year.

Rebecca, David, and Richard take a look back at how election years have influenced the Oscar race and ceremony, and debate which films might be affected this year. Plus, the LGM team launches August's Director Discussion series, focusing this week on Steve McQueen's filmography and his upcoming film "Blitz."

The first-time Emmy nominee reflects on her more than two decades in show business, from I Am Sam to Man on Fire and culminating in perhaps the most exciting period of her career so far as an actor. Plus, Fanning teases where we might see her next, including the starry Netflix limited series The Perfect Couple.

Rebecca, David, and Richard wonder if "A Complete Unknown" will be a late-breaking Oscar frontrunner when it's released in December, and examine how feature films that skip the fall festivals have done in the past. Plus, they take a look at the landscape in the documentary feature race.

The Emmy-nominated actress speaks with Rebecca Ford about playing the brilliant scientist Elizabeth Zott, and her initial worries that she might not be able to relate to her. Plus, Larson explores how she's handled sexism as a member of the Marvel universe and what working in TV at a young age taught her.

Film festival fever is here! With Venice and Toronto announcing their starry annual lineups this week—featuring everyone from Angelina Jolie and Daniel Craig to Samuel L. Jackson and Selena Gomez—David, Richard, and Rebecca analyze the selections and discuss who appears most primed to launch into successful awards campaigns. Later, they get into the buzz around The Nickel Boys, an adaptation of the Pulitzer Prize-winning novel set to open the New York Film Festival.

Rebecca chats with Jessica Gunning the day after she received her first Emmy nomination for playing Martha, a woman who becomes obsessed with Richard Gadd's comedian character in the hit Netflix limited series. They discuss her grueling audition process, the strange offers she's gotten since, and how she's sidestepped being pigeonholed in her 17-year acting career.

Rebecca, David, and Richard share their immediate reactions to Wednesday's Emmy nominations, including the biggest snubs (Emma Stone, Cosmo Jarvis) and the pleasant surprises (Selena Gomez, Idris Elba). Plus, they debate why the TV Academy loves The Morning Show so very much and if Baby Reindeer is as much of a frontrunner as they all predicted.

The director and star of the acclaimed western film The Dead Don’t Hurt (now available on VOD and digital) joins the podcast for a candid conversation about the state of Hollywood. Here, the Oscar nominee dishes on everything from the “disingenuous” backlash to Green Book to the “appalling” conduct of a certain streamer to the precarious state of indie film.

This week, Rebecca, Richard, and David attempt to predict the Emmy nominees ahead of next week's announcement and break down why The Bear, Hacks, and Shogun are likely to do very well. Plus, we go through some recent fall festival announcements and what they might mean for the films' Oscar chances.

Fresh off her Emmy win, the veteran scene-stealer had an offer to star in a glitzy new TV show. She tells Little Gold Men about turning it down to make Janet Planet, an indie gem that feels like a career statement.

The star of AMC’s terrific drama series joins Little Gold Men this week to talk the game-changing season two finale (spoilers ahead!), the most insane things the show has asked him to do thus far, and how his complicated experience on Game of Thrones has informed his approach to his new series’ rabid fandom. Plus, his thoughts on a newly announced season three. 

Rebecca returns to the show this week for a deep dive into The Bear season 3 (now streaming on Hulu), with Richard having watched every episode for review and David freshly returned from a glitzy premiere event in Los Angeles. Plus: The cohosts discuss the best movies and TV shows of the year so far.

The Emmy winner tells Little Gold Men why her bold performance in the acclaimed film required taking a big risk.

The summer box office seems to be revived thanks to Inside Out 2, but does its success mean we will be stuck with sequels? David and Richard discuss the prospects and recommend some quieter films worthy of checking out this season. Plus, as nominations voting for the Emmy Awards closes next week, they make a plug for some of their favorite shows and performances in contention. 

John Mulaney gives us a peek into the making of Everybody’s in LA and shares his favorite moments from the live show. Then, Jessica Lange joins us to connect the dots between her former characters and her current roles in The Great Lillian Hall and Mother Play.  

On this week’s roundtable episode of the Little Gold Men podcast, the panelists discuss Broadway’s biggest night, when a play with music just might outshine all the musicals.

New York theater icon Liza Colón-Zayas joins the show this week ahead of The Bear’s season three premiere for an emotional reflection on her long, at times painful journey to the FX phenomenon—for which she may net her first-ever Emmy nomination next month. Then, fellow first-time contender Jonathan Bailey goes deep on his epic queer romance Fellow Travelers, and the rich bond he developed with co-star Matt Bomer. 

David is joined by Vanity Fair staff writers Chris Murphy and Savannah Walsh for an in-depth conversation on the state of the Emmy race, from the controversy swirling around limited-series frontrunner Baby Reindeer to the impact of Shōgun’s eleventh-hour recategorization as a drama series. Plus: Following Hacks’ rapturously received third season, can it challenge The Bear’s comedy crown?

It's a Tonys interview special, with two of this year's buzziest stage performers joining the podcast. First, Richard speaks with Merrily We Roll Along nominee Jonathan Groff about his transformative experience on the Sondheim musical, his first Broadway show since Hamilton. Then, David catches up with The Good Place alum William Jackson Harper, who between Uncle Vanya and Primary Trust had one of the best years on stage for any actor in recent memory. 

Follow us on Twitter and Instagram @vfawardsinsider

Follow our hosts: @rilaws, @beccamford, @davidcanfield97

Our editor and producer is Brett Fuchs.

David and Richard are back from the Croisette and ready to break down the highlights (and lowlights) from the Cannes Film Festival 2024. They dig into the big prize-winners, including the potentially Oscar-bound Anora and Emilia Perez, as well as the films that struggled to make much of a splash, including the heavily hyped auteur projects of Francis Ford Coppola (Megalopolis) and Kevin Costner (Horizon). Plus, they share some personal, under-the-radar favorites that deserve to lead long lives out of the festival.

Follow us on Twitter and Instagram @vfawardsinsider

Follow our hosts: @rilaws, @beccamford, @davidcanfield97

Our editor and producer is Brett Fuchs.

It’s an aughts Saturday Night Live reunion as Maya Rudolph and Seth Meyers join the podcast. First, Rudolph digs into the new season of her Apple TV+ comedy Loot and the career that’s led to this long-awaited starring vehicle. Then Meyers reflects on the 10th anniversary of his talk series Late Night, and how he’s kept things fresh in a turbulent media ecosystem. Plus: The pair shares their favorite memories of each other from their time on SNL. 

Follow us on Twitter and Instagram @vfawardsinsider

Follow our hosts: @rilaws, @beccamford, @davidcanfield97

Our editor and producer is Brett Fuchs.

In a live show from Los Angeles, we explore the polarized critical reactions to Francis Ford Coppola’s Megalopolis at Cannes, plus Fallout stars Walton Goggins and Aaron Moten join us, along with showrunner Geneva Robertson-Dworet, to delve into secrets of the apocalyptic drama and the classic Western influences that shaped its story. Hosted by Vanity Fair's senior Hollywood correspondent Anthony Breznican and television correspondent Joy Press.

We’re talking about two juicy limited-series performances on this week’s interview episode. Juno Temple first digs deep into her Fargo transformation and what it felt like to pull that off fresh out of Ted Lasso. Then, Ally McBeal and Brothers & Sisters alum Calista Flockart talks her welcome return to TV in the new season of Feud—and how good it felt to play someone so (sometimes) mean.

Follow us on Twitter and Instagram @vfawardsinsider

Follow our hosts: @rilaws, @beccamford, @davidcanfield97

Our editor and producer is Brett Fuchs.

From Elvis to Bob Marley: One Love, the music biopic has proven back in fashion with theatergoers, even if their quality can sometimes (increasingly?) leave much to be desired. This week, Vanity Fair staff writer Savannah Walsh joins Richard and David to break down how the new Amy Winehouse drama, Back to Black, fits into this trend, before reflecting on the genre more broadly—from a few personal favorites to the many examples that haven't worked over the past few years.

Follow us on Twitter and Instagram @vfawardsinsider

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Our editor and producer is Brett Fuchs.

Celebrating her 25th year as a part of the Law & Order franchise, SVU star Mariska Hargitay joins Richard in-studio for a thoughtful, at times emotional reflection on the iconic role of Olivia Benson. Later, David catches up with current Saturday Night Live MVP Bowen Yang, exploring his own season of breakthroughs and firsts.

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Despite strong reviews and a lack of competition in theaters, The Fall Guy fell flat at the box office last weekend, an ominous kickoff to the summer season. VF's Hollywood editor Hillary Busis joins Richard and David to discuss other early May disappointments, including Chris Pine's Poolman and Jerry Seinfeld's Unfrosted—and search for some potential bright spots in the months ahead. 

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 Emmy winner Jean Smart kicks off this week’s interview episode in a lively conversation with VF senior Hollywood correspondent Julie Miller about the third season of Hacks, from its increased physical demands on the actress to the deepening of her relationship with co-star Hannah Einbinder. Then, staff writer Savannah Walsh catches up with Nicole Beharie, the scene-stealing powerhouse who brought The Morning Show to new heights.

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It's a weekend of appealingly starry movie releases, with Ryan Gosling and Emily Blunt lending steamy chemistry to The Fall Guy and Anne Hathaway anchoring the new rom-com The Idea of You. VF’s senior Hollywood correspondent Julie Miller joins David and Richard to discuss the two films as well as the impressive third season of Hacks, premiering Thursday on Max after a two-year-long break, and how it defines a (comedy) Emmy race that’s increasingly prioritizing satisfying drama over belly laughs.

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There are interviews, and there are Timothy Olyphant interviews. We learn this on today's episode as the Justified: City Primeval star joins David for a delightfully freewheeling, at times slightly unhinged conversation about everything from filming the new Alien series to the person he hopes beats him at the Emmys this year. Then, Richard catches up with Brigette Lundy-Paine, who gives a searing performance in the Sundance sensation I Saw the TV Glow, in theaters Friday.

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The hottest new series of the year so far, Shōgun concluded its epic run on Hulu this past week with a stellar finale. Vanity Fair TV correspondent Joy Press joins the show to discuss how the FX series’ many merits—from its intricate detailing of 17th century Japanese customs to its striking cinematography—have positioned it as an Emmys front-runner, and how the rest of the limited-series field is taking an unusually exciting shape. Plus, Richard and David unpack the sexy new tennis film, Challengers, in theaters Friday.

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Sandra Oh joins the show fresh off of her debut episode on The Sympathizer to discuss the impact that HBO's new limited series, which re-examines the Vietnam War through an alternately satirical and poignant lens, has had on her as an industry veteran. Then, Carrie Coon reflects on the breakout success of The Gilded Age's second season—and preparing to finish filming the new installment of The White Lotus in Thailand. 

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David and Richard are joined by New York Magazine features writer Rachel Handler for a deep dive into the 2024 Cannes Film Festival lineup, from the big-name auteurs returning to the Croisette including Francis Ford Coppola and Yorgos Lanthimos to the buzzy titles already stirring up controversy, like the Donald Trump-Roy Cohn drama The Apprentice. Then, the group predicts who might win this year’s top award, the Palme d’Or—a key Oscar bellwether.

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Kiefer Sutherland joins the podcast this week to discuss his scene-stealing work in William Friedkin’s final film, The Caine Mutiny Court-Martial, and the ways he’s been rethinking his prolific career. Then, Ambika Mod stops by for a chat about her wrenching performance in Netflix’s chart-topping limited series, One Day.

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Life during wartime is terrifyingly imagined in the new A24 film Civil War, and provocatively revisited in HBO's Emmy-contending The Sympathizer. Which of the two lands more resoundingly in the current moment, and will controversy follow either project? Plus, we ask whether the Traitors phenomenon can shake up a very stale Emmy race.

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This week’s interview episode features two dynamic talents starting to introduce themselves to much larger (read: national TV) audiences. First, Alex Edelman speaks with Hillary Busis about winding down his lauded, years-long solo stage show Just For Us with a rousing HBO special. Then, David Canfield catches up with Shōgun’s breakout star Anna Sawai, as they take a deep dive on her searing performance as Lady Mariko—through to this week’s pivotal episode.

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With this week’s premieres of Netflix’s Ripley, Starz’s Mary & George, and Apple’s Sugar, some big names are officially in the Emmys hunt: Andrew Scott, Julianne Moore, and Colin Farrell. How will they fare in a strike-affected season?

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We’ve got two Oscar-nominated actresses pulling double duty on this week’s interview episode. First, Amy Ryan takes a break from her current acclaimed Broadway run of Doubt to discuss with David Canfield her scene-stealing work opposite Colin Farrell in Sugar. Then, Chris Murphy catches up with Andrea Riseborough, hot off her final episode of The Regime while also leading the Masterpiece miniseries Alice & Jack.

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While we just wrapped a strike-delayed Emmys season a few months ago, we're already in full swing on the next one. We break down some of the big new contenders set to make a splash, including Shōgun and Lessons in Chemistry, while wondering if anything can take down past champs like The Bear and The Crown. 

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It’s been 15 years since Tom Hiddleston debuted the character of Loki in the MCU, and in conversation with Kara Warner, the actor reflects on that long, complex journey to the second season of his Disney+ series. Then, David Canfield catches up with Maya Erskine, who gives a powerhouse performance opposite Donald Glover in Mr. & Mrs. Smith.

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Joe Reid returns and Rebecca Ford makes a very special brief appearance from maternity leave for our annual tradition: making predictions about the awards year ahead, and looking back at how much we got wrong this time last year.

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David Canfield catches up with two stars of some of the spring's biggest shows. First, Alison Brie takes on a black sheep role in the Peacock family drama Apples Never Fall. Then, Anthony Boyle is juggling several types of breakout roles on two Apple historical series, Masters of the Air and the upcoming Manhunt.

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One last look back at this year’s show! Katey and Richard talk to comedy writer Louis Virtel about writing material for the Oscars, the jokes that didn’t make the cut, and how John Cena wound up naked onstage. 

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We see Oppenheimer here! A look back at the best actress shakeup, the Oppenheimer winning streak that got slightly interrupted, the Kenergy, and Al Pacino's moment in the spotlight. Plus, the inside scoop from the Vanity Fair Oscar party, where the man of the moment may just have been Flavor Flav.

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Get your ballots ready! We’re making our best bets on everything from the multiple Poor Things and Barbie crafts showdowns to the ever intriguing races for best actor and best actress.

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For the first time ever, Little Gold Men listeners call in and share their favorite Oscar night habits, from elaborate punny food menus to very specific rules about who is and is not allowed to watch. The hosts share their own stories too, including being in the auditorium for the La La Land/Moonlight mix-up to the moms whose passion for the Oscars got us watching in the first place.

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This Had Oscar Buzz hosts Joe Reid and Chris Feil return for our annual flashback tradition, this time revisiting the Oscars of 2004, where The Lord of the Rings: Return of the King won 11 Oscars, Billy Crystal made a semi-triumphant return, and the show might have had its best ending ever. Plus, a look back at the busy weekend of the SAG, PGA, and Independent Spirit Awards. 

Plus! We want to hear from YOU about your favorite Oscar party viewing traditions. Send us a 30-60 second voice memo to littlegoldmen@vf.com by Monday March 4. 

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With less than two weeks to go before this year's Oscars, the heads of the Academy of Motion Picture Arts and Science look ahead to this year's ceremony, to rule changes coming up in the future, and to the lingering power of the Barbenheimer effect.

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It was yet another big weekend for Oppenheimer, but that's not the whole story out of London. Plus, if you want to win your Oscar pool, you've got to get the shorts right, and we watched them all.

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David Canfield has talked to the best actress nominee several times this season, and catching up with her shortly after the Oscar nominees luncheon learned that she’s been pleasantly surprised by her big Hollywood breakthrough— and, of course, happy to be in the company of her celebrated costar, Messi the dog.

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The Academy has added an Oscar for best casting, after years of lobbying — but what will a best casting Oscar actually look like? Plus, inside the DGA Awards and the Oscar nominees luncheon, and a look at the seemingly ever growing momentum around Anatomy of a Fall. 

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First, Kara Warner talks to the Oscar-nominated star of Poor Things, who says his comic blowhard performance could be the first of many funny roles if anyone wants to cast him in one. Then American Fiction writer-director Cord Jefferson tells Katey Rich about how he had to get talked into witnessing his film’s blockbuster Toronto Film Festival premiere, and what gives him hope for the future of Hollywood.

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A look ahead at the next major events of awards season, and then more listener questions! Can Poor Things get an Oscar boost as it thrives at the box office? Is Thelma Schoonmaker going to make history? And will the Oscars ever go back to February?

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She's still not quite used to the term "Oscar nominee," but the Holdovers star is working on getting as many tickets as she can to the ceremony, reconnecting with the co-stars she spent 3 months "trapped in a blizzard" with, and making sure that whatever her next project is, she will surprise everybody.

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A look at the highlights of this year’s Sundance, including Oscar buzz for Kieran Culkin and a whole lot of docs to look out for. Plus listener questions about Cillian Murphy, Lily Gladstone, Oscar alternate universes, and more! 

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First, the writers of May December share their low key Oscar nominations day celebration and how growing up in a casting family gave Samy Burch unique insight on Hollywood. Then, the writer and director of international feature nominee Perfect Days looks back on the post-pandemic experiences that inspired the film, and why he feels optimistic about the future of moviegoing.

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One of the directors and one of the stars of the Oscar-nominated animated feature discuss how performances are built in the recording booth, how much it changed over the course of production, and how a world built to be a "mood ring" came alive for Steinfeld's Gwen Stacy. 

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The already infamous Barbie snub, the surprising strength of American Fiction, and everything else you need to know about this year’s nominations.

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Our first-ever live show, discussing the Critics Choice Awards and the final days of Oscar voting. Plus, a conversation with the star, costume designer, and clothing consultant of Killers of the Flower Moon about the complex historical details and community effort that went into the film’s exquisite costumes.

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First, David Canfield catches up with the star of Todd Haynes's May December, who reflects on her decades of working with the director and the bond she's built on the campaign trail with her co-star, Charles Melton. Then, Katey Rich talks to Washington Post reporter Jada Yuan about her deeply personal connection to the Manhattan Project, and how that led her to writing the official behind the scenes account of Christopher Nolan's Oppenheimer.

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As Oscar voting begins, we look back at the results of the Golden Globes, the SAG nominations, the BAFTA longlist, and the buzz we're hearing about everything from The Zone of Interest to potential best supporting actor surprises. Plus, a look ahead at Monday's Emmy Awards.

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First, the newly minted Golden Globe winner tells Katey Rich about how doing press for The Holdovers has forced him to look back over his career, and the part of winning awards he could absolutely do without. Then Jon Batiste reflects with Rebecca Ford on the extremely vulnerable process of making the documentary American Symphony, and the song he almost didn’t contribute to it. 

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Will Oppenheimer and Barbie dominate? Will Charles Melton surprise? Will Taylor Swift be there?? We’ve got more questions than answers about this year's Golden Globes— but that’s what makes it fun! 

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David Canfield talks first with the star of the Finnish comedy, and surprise Golden Globe nominee, Alma Poysti, and then with the actress at the heart of 2023’s undeniably dominant film— Barbie star America Ferrera. 

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We're pleased to share this episode of The New Yorker's podcast Critics at Large, in which Vinson Cunningham, Naomi Fry, and Alexandra Schwartz look back at Martin Scorsese's career. In films like Goodfellas and Mean Streets, the director has made a study of how evil happens. His latest, Killers of the Flower Moon, asks the same question of one of the darkest chapters in U.S. history.

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Despite her Tony nomination for the role of Sofia in the Broadway production of The Color Purple, Danielle Brooks had to fight to play the role on screen. Now she’s ready to keep pushing herself forward through everything that’s coming next. 

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Closing out the year with a round of listener questions, from the status of some on-the-bubble Oscar contenders to how long it will take the Academy to properly recognize actors in international features. Our roundtable episodes will be taking a pause for the holiday next week— see you in the new year! 

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First, David Canfield catches up with Oscar-winner Juliette Binoche, who stars in the Cannes hit and fall festival crowd pleaser The Taste of Things. Then Rebecca Ford talks to Carey Mulligan, who worked closely with director and star Bradley Cooper to recreate the complex relationship and artistic collaboration at the heart of Maestro.

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Barbie has had a very good week, with Oppenheimer and Killers of the Flower Moon right behind. But best actor is a mystery, best director is incredibly crowded, and everybody knows the Oscars will somehow go their own way. Plus, discussion of the Christmas release The Iron Claw.

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The collaborators behind Poor Things talk to Rebecca Ford about the origins of their wild new project, and what it took to create a character as unique and uninhibited as Stone's Bella Baxter. Then Katey Rich talks to Emily Blunt about picking back up with promotion on Oppenheimer now that the actors strike is finished, and how she's learned to manage her expectations around the movies she makes — even one that winds up as massive as this one.

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A look at the rush of events and panels happening in New York and Los Angeles as the post-strike bottleneck continues. Plus the Academy Museum Gala, the Indie Spirits nominations, and a look ahead at Monday's Golden Globes nominations.

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Two interviews with stars of two major fall movies. First, David Canfield talks to Colman Domingo about the career-long wait for a role like the one he takes on in the biopic Rustin. Then Rebecca Ford talks to Jacob Elordi about the surprising similarities between his alluring characters in Saltburn and Priscilla.

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Following big wins at the Gotham Awards, are they now the actors to beat in their categories? Plus a look ahead at the New York Film Critics Circle Awards and discussion of The Color Purple and Wonka.

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First, Rebecca Ford talks to the writer and director of Saltburn about the unusual writing process that created her latest provocative script, and the chemistry she seeks between herself and her actors before starting any project. Then, David Canfield talks to Andrew Scott about his emotional lead performance in All of Us Strangers, and the "weird marriage" between him and director Andrew Haigh that went into making it.

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With the long Thanksgiving weekend underway, which awards contenders will benefit most when voters start catching up on them at home? Plus a look at the big moves for the Golden Globes and the Oscars, the awards potential for The Color Purple, and the surprisingly sweet Adam Sandler movie now on Netflix. And as a bonus Thanksgiving treat, David Canfield talks to Vanessa Kirby about her powerful, surprising turn as Josephine in Napoleon.

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Months after his film American Fiction took home the Toronto Film Festival’s audience award, Jeffrey Wright is no longer on strike and able to talk to Chris Murphy about the film that resonated with him in surprisingly personal ways. Then, David Canfield talks to Charles Melton, who was as thrilled as you might imagine to share the screen with Julianne Moore and Natalie Portman in May December, and who holds his own with a performance that draws on his Army brat childhood and his insistence on never fitting into a single box.

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A look at the extremely busy campaign trail and which films are already benefiting the most from the end of the strike. Plus discussion of new releases The Hunger Games: Ballad of Songbirds and Snakes and Napoleon.

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Savannah Walsh talk to Tom Blyth about the slightly head-spinning experience of playing the younger version of a character originally played by Donald Sutherland, this time 64 years younger and a central character in the Hunger Games prequel The Ballad of Songbirds and Snakes, in theaters this week. Then, Katey Rich catches up with Peter Sarsgaard, who won the best actor prize at the Venice Film Festival for his quiet and touching performance in Memory, opposite Jessica Chastain. Memory will be in theaters in December.

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With Iron Claw premiering and The Color Purple and Napoleon around the corner, we're looking ahead to what's left on the fall and winter schedule. Plus discussion of The Killer and The Curse and some predictions about the most intriguing crafts categories.

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The actress known for Russian Doll and The Morning Show didn't know what to expect when the script for Past Lives showed up in her inbox — and she spent a year thinking she hadn't gotten the part at all. But once writer and director Celine Song did ask her to be part of the film, she put everything she had into it.

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A look at how the campaign might change if the end to the SAG-AFTRA strike really is near. Plus a look ahead at fall TV and more lingering questions about the screenplay races.

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Alexander Payne is a little bit surprised by the way people are responding to his new film, about three people who form an unlikely bond over Christmas break at a New England boarding school. But he has a hunch it's because there aren't as many movies about human relationships as there were in the early 70s, when the film is set — and he hopes audiences are ready for that kind of throwback.

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The Gotham Awards weigh in with a slate of mostly indie-skewing nominees — plus Barbie. David checks in from the Savannah Film Festival, the group takes the temperature of Priscilla, and the extremely competitive original and adapted screenplay races start to take shape.

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The Oscar-winning directors of Free Solo had followed some of the most elite athletes in the world into some of the most forbidding climates imaginable — but they still found brand new challenges on their first narrative feature film, Nyad. Luckily, they had Annette Bening, Jodie Foster, and Rhys Ifans on their side.

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As Killers of the Flower Moon opens in wide release, the group considers how far the latest Scorsese film can go, and who might be in the running with presumed frontrunner Christopher Nolan for best director. Plus a look at Taylor Swift's Eras movie release, the latest on the SAG strikes, and some first-time narrative filmmakers in the race.

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First, Rebecca Ford talks to the two costume designers of Killers of the Flower Moon, who might have seemed like an unlikely duo — West, a veteran Hollywood costume designer, and O'Keefe, a member of the Osage Nation and experienced product manager — but teamed up to create some of the year's most stunning costumes. Then, David Canfield talks to Cynthia Erivo about the big leaps she took to make Drift, a moving independent film in which she stars as a Liberian refugee and also produces. 

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From California's Mill Valley Film Festival to the Hamptons International Film Festival, it's the season for regional events where many Oscar campaigns can be made — or not. Plus, deeper looks at the actor and supporting actor races, as well as the strongest competitors in best documentary feature.

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First, David Canfield talks to writer and director Maggie Betts, who embraced the format of the 90s legal thriller for her courtroom drama starring Jamie Foxx and Tommy Lee Jones. Then HIllary Busis talks to Nathan Lane, who brings his Broadway-honed gravitas to the extremely silly new movie Dicks: The Musical.

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With the New York Film Festival in full swing and thrilling new films debuting each week, it’s a great time of year to talk about movies— and, as so often happens, ponder what the Golden Globes have up their sleeve.

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The German actor was told by director Jonathan Glazer he'd be starring in "Big Brother in a Nazi house" — and even that didn't scare him off. Friedel talks to David Canfield about the challenge of turning an Auschwitz commandant into a normal person, bonding with co-star Sandra Hüller over their shared challenge, and how his second career as a musician helps make remarkable performances like this one possible.

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Elon Musk’s presence in our lives is inescapable: his cars roam our streets, his satellites orbit our skies, and his purchase of X—formerly known as Twitter—has reshaped the social-media landscape. The staff writers Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss a recent biography of Musk, by Walter Isaacson, tracing the familiar archetype of the genius tech founder from the nineteenth-century robber baron to “Batman” ’s Bruce Wayne. The critics examine how, in recent years, the idea of the unimpeachable Silicon Valley founder has lost its sheen. Narratives such as the 2022 series “WeCrashed” tell the story of startup founders who make lofty promises, only to watch their empires crumble when those promises are shown to be empty. “It dovetails for me with the disillusionment of millennials,” Fry says, pointing to the dark mood that the 2007-08 financial crisis and the 2016 election brought to the country. “There’s no longer this blind belief that the tech founder is a genius who should be wholly admired with no reservations.” 

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A look at the events that may look a little more normal now that the writers are back to work, and how quickly the actors might follow suit. Plus, discussion of the New York Film Festival, Lily Gladstone's jump to lead actress, and the fascinating international feature race.

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The actress worked hard to snag her first lead role in the indie drama Monica, and now finds herself in the odd position of being able to talk about it while still being on strike. (Monica has an interim agreement with SAG-AFTRA) She talks to David Canfield about digging deep for the role, advocating for herself, and the potential to make history as a trans actress in the awards race.

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The rise of American Fiction, the imminent return of Maestro, the mystery of Napoleon, and much more.

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The director of Sing Street and Once thought at one point he might be done with music movies, but was inspired by his relationship with his mother, and his own misspent youth, to write Flora and Son, about a mother and son who both find their own kind of salvation through music.

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We handicap the titles most likely to win the festival's coveted Peoples Choice Awards, our personal favorites, and more highlights.

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The director watched the 2021 GameStop stock frenzy unfold within his own home— and then was totally surprised to find himself making a movie about it.

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It's festival season, and there's so much to talk about! We dig into Priscilla, Poor Things, Saltburn, All of Us Strangers, Maestro, Hit Man, and much, much more.

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As the Toronto International Film Festival prepares to kick off, the CEO of TIFF reveals how the SAG-AFTRA strike affected this year's event, how the festival's international focus got even stronger this year, and how he went from attending TIFF as an aspiring film critic to one of the most influential film programmers in the world.

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Your guide to the biggest premieres at both Labor Day weekend festivals, from Ferrari to Janet Planet and beyond.

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This week we’ve pulled interviews out of the archives with two filmmakers who are up to big things this year. First we go back to 2019, when Julie Miller talked to future Barbie director Greta Gerwig about her adaptation of Little Women. Then we hear Julie again in conversation with Emerald Fennell, talking at the time about her debut feature Promising Young Woman, and back this fall with Saltburn.

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Rumaan Alam’s apocalyptic, domestic thriller published in 2020 is only more unsettling today, which might make it the perfect time for the upcoming Netflix adaptation. Plus, a look ahead at festival season thanks to our first-look features on All of Us Strangers, Foe, Fingernails, and many more.

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Two conversations with Emmy-nominated directors who surprised us this year. First, Hoar digs in on the making of The Last of Us's emotional love story "Long, Long Time." Then, Trachtenberg reflects on the long journey that brought the ambitious horror movie Prey to Hulu.

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Martin Amis's 2014 novel set at Auschwitz is very, very different from Jonathan Glazer's film adapted from it — but that doesn't mean they don't shed light on each other. Plus, Chris Murphy talks to Professor Stacy L. Smith of the Annenberg Inclusion Initiative about their new study tracking representation in Hollywood, and how much further the industry has to go.

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The Emmy-nominated editor of The Bear shares how the surprise hit comedy came together in its first season, and how she and the series creators learned to break their own rules for season two.

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Priscilla Beaulieu Presley met Elvis when she was 14, divorced him when she was 27, and was only a minor figure in last year’s blockbuster film about Elvis’s life. In Sofia Coppola’s new film Priscilla will take center stage, and in her memoir, which Coppola adapted, Priscilla tells her side of the story. The episode also includes discussion of And Just Like That, Red White & Royal Blue, and the new season of Only Murders in the Building.

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The writer and director discusses his provocative new movie, the hurdle of its NC-17 rating, and how seeing 197 movies over the course of three months changes his life.

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Our editor and producer is Brett Fuchs.

A dive into David Grann's 2017 nonfiction book that Martin Scorsese has adapted for his upcoming film. Plus, a look at the state of the strike and festival season, and a celebration of the new season of Heartstopper and Ira Sachs's new film Passages.

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In a conversation recorded on the eve of the SAG-AFTRA strike, the Emmy nominee and Oscar winner reflects on what it took to get to this point in her career, and what she learned from the decade-plus journey to get George & Tammy to the screen.

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Lineups for two of the biggest fall film festivals have been announced—and they are stacked, despite the strike. This week's Little Gold Men takes a look at the films soon premiering at home and abroad, plus a Barbenheimer post-mortem.

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The always inspiring veteran actress, who just earned her second consecutive Emmy nomination for the hit ABC series, weighs in on the SAG-AFTRA strike.

SAG-AFTRA members are currently on strike; as part of the strike, union actors are not promoting their film and TV projects. This interview was conducted prior to the strike.

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Our editor and producer is Brett Fuchs.

Nearly a week into the SAG-AFTRA strike, it remains entirely unclear how the Emmys, the fall festival season, and even the Oscars will be affected. That won't stop us from speculating! Plus, a discussion of American Prometheus, the biography adapted by Christopher Nolan for his new film Oppenheimer, with special guests Erin Vanderhoof and David Sims.

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Our editor and producer is Brett Fuchs.

The King Richard star has been incredibly busy since her Oscar nomination last year, and keeps surprising herself in the process.

SAG-AFTRA members are currently on strike; as part of the strike, union actors are not promoting their film and TV projects. This interview was conducted prior to the strike.

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The team shares their immediate reaction to this year’s Emmy nominations, from the shocking snubs, the thrilling inclusions, and the continued dominance of HBO.

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The star of the new Steven Soderbergh-created series says that she's only beginning to show the world what she can do.

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A look at the films that might make it from spring and summer releases all the way through Oscar season. Plus, welcoming the latest crop of Oscar voters and some final Emmy nomination predictions before they’re announced July 12.

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First, Rebecca Ford talks to Tony nominee Ashley Park about her big year in film and TV, including the upcoming raunchy comedy Joy Ride. Then, David Canfield finds Glenn Howerton dealing with the new experience of Oscar buzz, thanks to his acclaimed performance in the indie BlackBerry.

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A look back at Todd Haynes's 2002 melodrama that pulls off a nearly miraculous balance of past and present. Plus, Franklin Leonard joins to discuss the Academy's recent theatrical requirements and which films might suffer as a result; a discussion of the newly announced Governors Awards winners; a look at Asteroid City's surprising box office success; and rumors that the Emmys might be delayed as the writers strike continues.

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The Emmy winner chose his big followup project to When They See Us very, very carefully — and Boots Riley's provocative new series I'm a Virgo, in which Jerome plays a 13-foot-tall man living in Oakland, turned out to be just the thing.

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In 1999 Ian McKellen became the first openly gay male actor to be nominated for an Oscar — and, unbelievably, he remains the last. Plus, a look at the Emmys limited series race and the campaign strategies revealed in the Emmy ballot. 

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Helen Mirren tells Rebecca Ford about how eager she was to take on the challenges of the Western frontier in Taylor Sheridan's historical epic. Padma Lakshmi talks to Natalie Jarvey about her decision to step away from Top Chef and what she's still eager to explore on Taste the Nation. And Bridget Everett tells David Canfield that she's particularly glad her warm. empathetic Somebody Somewhere is airing in this particular moment of peril for queer people in America.

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From the moment he arrives onscreen in Stephen Frear's 1986 film My Beautiful Laundrette, Daniel Day-Lewis is impossible to look away from. But there's even more to recommend in this culture clash comedy, which combines sharp critique of the Thatcher era with swoon-worthy gay romance. Plus, a look at the surprisingly successful writerless Tonys, the changes at the Golden Globes, and our Reunited series, running now on VF.com

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Our editor and producer is Brett Fuchs.

Part of the ensemble cast of Wes Anderson's new film Asteroid City, and Emmy eligible for both Your Honor and a return appearance as Walter White on Better Call Saul, Cranston shares his continued sense of surprise at where his varied career has taken him. Then Molly Shannon, who plays a suddenly famous momager on the comedy The Other Two, answers the eternal question: is fame really a prison.

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William Hurt made history in 1985 as the first person to win a best actor Oscar for playing a gay character in Kiss of the Spider-Woman—but, as you might guess, the film's legacy has only become more complex since then. Plus, Richard Lawson and Chris Murphy join guests Esther Zuckerman and Jackson McHenry for a deep dive on the Tonys season, and fearless predictions about who will prevail at Sunday night's awards. 

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When Dominique Fishback was first offered a role on the Prime Video series Swarm, she said no — and after talking to co-creator Donald Glover, she wound up with the lead instead. That's just one of many ways, she tells David Canfield, that she's betting on herself these days. And for Paul Walter Hauser, the experience of embodying a serial killer on the Apple series Black Bird stuck with him so deeply that he changed his entire life, including getting sober. He tells Rebecca Ford about the role's impact on his life, and the surreal awards season that has already followed.

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A look back at the 1932 best picture nominee and what might be the definitive role for the gender-bending star. Plus, some final Cannes thoughts, some solutions for the Oscars' acting category problems, and why spring TV has felt so crowded. 

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The writer and director of Past Lives reveals how a specific moment from her life — sitting at a bar with her husband and childhood sweetheart— led to her Sundance-winning new film, out in theaters this week. Then, the Barry star digs deep on the finale —spoilers ahead! — and what he'd do with his Emmy if he had the neck strength for it.

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Our editor and producer is Brett Fuchs.

Richard and Rebecca call in from Cannes to share the films they're most excited about — and, of course, which ones might be the most likely to be part of this year's Oscar race. Plus, a discussion about David's report on the push for gender-neutral acting awards, and why it's worth the fight.

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The director of the FX documentary series reveals what surprised her when she sat down with disgraced pastor Carl Lentz and his wife, Laura. Then, the comedian and star of both Party Down and The Other Two shares the secret to a good pratfall, even in your 50s.

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Our editor and producer is Brett Fuchs.

The prestigious French film festival is underway, and if the past few years are any indication there are a handful of future Oscar contenders lying in wait. Plus, a look at the the WGA strike's impact on the Peabody and Tony Awards, and a celebration of the character actors who can only be described with two words: Always Great.

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Our editor and producer is Brett Fuchs.

Fresh off Connor Roy's election night disappointment, Alan Ruck reflects on four seasons of Succession and how to move on toward something new. Then, Beef star and executive producer Steven Yeun reveals on how he drew on his own childhood for his role as Danny, and what kind of future he imagines for the character in potential future seasons.

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In honor of AAPI Heritage Month, a look back at 1961's Flower Drum Song, a Rodgers and Hammerstein musical that was the first major Hollywood film to star an almost entirely Asian and Asian-American cast— and the last one for decades. Plus, updates on the status of the WGA strike and a look at promising series Yellowjackets and A Small Light.

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Our editor and producer is Brett Fuchs.

Broadway icon Patti LuPone is less interested in the stage than the screen these days— and in Ari Aster's new film Beau Is Afraid, she tells Richard Lawson, she found the mammoth challenge she was looking for. And for Jason Segel, who is currently on strike alongside the rest of the WGA, it's a little tricky to talk about the Apple series he co-created, Shrinking, as he tells Rebecca Ford. But his experience on that show as an actor, including watching Harrison Ford improvise, makes for some excellent storytelling all the same.

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Our editor and producer is Brett Fuchs.

The writers strike has already transformed Hollywood, and VF’s Natalie Jarvey joins to explain why the changes are only beginning. Plus, a close look at the new Oscar campaigning rules in the wake of the To Leslie scandal, and the highs and lows of the Tony nominations.

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Michael Shannon has had as varied a career as you can imagine, and with roles in the limited series George and Tammy and Waco as well as in the upcoming The Flash, he's still learning what he can do, as he tells David Canfield. Then, Betty Gilpin gets a little more spoilery about her new series Mrs. Davis, which is about a nun battling an all-powerful A.I. but also way, way more than that.

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Our editor and producer is Brett Fuchs.

Richard Lawson shares his ongoing list of the best movies of the year thus far. Plus, a look at spring breakout hits like The Diplomat and Dead Ringers, the controversy behind the scenes of Beef, a date for next year's Oscars, and more.

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David Canfield talks to Lizzy Caplan, who had the same hesitation anyone would about telling a new version of Fatal Attraction— but relished the opportunity to find nuances in the story that weren't part of the 1987 classic. Then, Hillary Busis talks to director Kelly Fremon Craig, who adapts Judy Blume's YA classic Are You There God? It's Me, Margaret by drawing on some of her own awkward, hilarious adolescent experiences.

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You Must Remember This host Karina Longworth joins for a conversation about her new miniseries Erotic 90s and the episode on Thelma & Louise. Plus a look at the Cannes lineup, Beef's surprising hop across Emmy categories, and first looks at All the Light You Cannot See and the new season of Couples Therapy.

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Our editor and producer is Brett Fuchs.

The actress was born into a musical legacy, but had never pursued it onscreen until Daisy Jones and the Six, which she auditioned for by singing in a voice memo alongside her husband. Keough tells Rebecca Ford about how badly she wanted to play Daisy, and the personal and health challenges that made it an even greater challenge than she'd imagined.

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Our editor and producer is Brett Fuchs.

It may have gotten a little bit easier for at least some members of the massive Succession ensemble to position themselves for awards. Plus, a look at changes within the Golden Globe ranks and the return of Barry.

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Our editor and producer is Brett Fuchs.

The globetrotting Andor star tells David Canfield he is so committed to the show, and his character, that he basically plays him twice — once in English, and once for the Latin American Spanish dub. Then, Rebecca Ford catches up with the Rings of Power star about her mysterious — and life-changing— audition to play Galadriel.

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Our editor and producer is Brett Fuchs.

A look at the Academy's recent changes, and which ones might lie ahead. Plus, news about the Cannes lineup, a Barbie frenzy, a look at Ari Aster's Beau Is Afraid and Ben Affleck's Air, and some talk about potential Emmy contenders Beef, Shrinking, and The Marvelous Mrs. Maisel.

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Our editor and producer is Brett Fuchs.

First, Rebecca Ford catches up with the star of the breakout hit ABC series, who won a Golden Globe in January for his performance but says the SAG Award he shared with his entire cast was an even bigger moment. Then, Katey Rich talks to Kelly Reichardt, who reunites with her frequent star Michelle Williams for the art-school-set comedy Showing Up.

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Our editor and producer is Brett Fuchs.

Can anyone beat Succession? Do voters want their comedies light or dark? And just how many White Lotus actors will make it? The mysteries of the 2023 Emmy season are already worth pondering. 

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Our editor and producer is Brett Fuchs.

Teyana Taylor has been famous for more than half of her life, but the choreographer, singer, director, and actress always knew she was capable of even more. With A.V. Rockwell's drama A Thousand and One, which won the grand jury prize at Sundance, she got the chance to push herself further, and says she's already seen new doors opening as a result.

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Our editor and producer is Brett Fuchs.

In our annual year-ahead tradition, we scope out new work from the likes of David Fincher, Martin Scorsese, Emerald Fennell, and Wes Anderson, while admitting that these days, the best picture winner is almost certainly something you don’t see coming.

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Our editor and producer is Brett Fuchs.

After making her 2020 documentary Miss Americana about Taylor Swift, director Lana Wilson wasn't necessarily looking for another story about a famous woman— but the story of Brooke Shields, a former child star who took control of her own narrative, proved impossible to ignore. Wilson talks about telling Shields's complex story with the aid of Shields's own archives, and which Brooke Shields performances are worth watching to get a sense of who she really is.

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