33. Sally Rooney's Intermezzo: Love Under the Specter of Marx

This podcast is a presentation of The Meow Library.

Sally Rooney's Intermezzo is available here.

Over and over, Rooney’s characters put their faith in love as a means of escape from the conventional roles assigned to them by society and by each other; no sooner have they achieved this than they are rudely confronted with inequalities of wealth, status and power that are clearly fatal to their idealism — but not to love itself. I take this to be the modest provocation of Rooney’s novels: the idea that love is real precisely because it is a product,one created by social conventions, by market forces, by systems of violence and, behind all of this, by human beings themselves. This is not, I admit, a Marxist theory of love. It is something more unexpected: a lover’s theory of Marxism.

-- Andrea Long Chu for Vulture

While much has been written in praise of Sally Rooney's frank Millenial realism, its Marxist underpinnings are only beginning to be explored. Theory, as ever, can only be thinly illustrative of the market forces propelling Rooney's work into the academic and popular spotlight. The Meow Library believes that the magnitude of Intermezzo's impact can only be understood through praxis, so our analysis takes the form of thousands of undifferentiated "meows," thereby converting it, like Rooney's subversions-as-Harlequin-Romance, into an eminently viral force with potential to destabilize and transform its very means of propagation: a force as great as Love itself, if not greater.

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