#371 Black Sabbath — Technical Ecstasy Album Review: 50 Years of the Most Divisive Sabbath Record

“Was it as good as The First Six? No…”

 

Released on September 25, 1976 (exactly 4 years to the day afterthe release of Vol. 4), TECHNICAL ECSTASY, the 7th album by the mighty BLACK SABBATH, is one of the most mysterious, polarizing, and perhaps confusing albums from the legendary Ozzy Osbourne era of the band.

 

First of all, the album cover depicts two robots having a fling and exchanging “lubricants” with each other on an escalator; a pretty massive departure from the darker album art featured on any of The First Six albums.

 

And then there’s the track listing, which is almost as bizarre and mysterious as the album art. Depending on which version of the album you have, Side 2 might actually be Side 1…or it might not be. So, if this feels like a Mandela Effect moment to you, then you’re not wrong.

 

“Does it need to be part of the Sabbath canon? Yes.”

 

Sonically, TECHNICAL ECSTASY is a far more experimental and rock and roll version of Sabbath than any other album in their discography, and yet somehow seems strangely out of sequence relative to The First Six. In fact, the more experimental, progressive sound found on Sabbath Bloody Sabbath (which, in and of itself, is quite a departure from the darker, heavier sound of The First Four) almost seems like a more natural predecessor to TECHNICAL ECSTASYthan Sabotage. 

 

Either way, it IS part of Black Sabbath & Ozzy Osbourne history and given the 50th anniversary of its release (and, ironically, the 5th anniversary of the Steven Wilson Remix which was released on October 1, 2021), we felt it necessary to give this album another spin and see if we could figure out what we’ve been missing all these years.

 

“That’s a perfect name for that song…they could have called it “It’s Not Bad” …”

 

Get ready for a spicy “hot take” that we did not see coming, understand what’s about to happen whenever you hear the “kung fu flute” from out of nowhere, remember to “write it down, so it’s in writing”, and just know that “when he says ‘I mean, come on’…you know” it’s time to JOIN US as we revisit BLACK SABBATH’s enigmatic 7th album: TECHNICAL ECSTASY.

 

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Show Notes & Time Stamps:

(00:01): “You know what time of year it is, right? It’s my horror movie season…”

#RussellsReflections #moviereview #HouseOf1000Corpses #RobZombie 

(“Doctor Satan?”) / ***WARNING: #listenerdiscretionisadvised ***

“Gotta case of the shaky leg over there?”

“I would love to have Elvis Presley on this podcast…”

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“Fun fact: I saw some crazy story where a guy…coughed up a blood clot from his lungs that was intact…it looked like the innards of his lungs, and he just coughed it up…”/

“There’s a serial killer in Austin…they call him ‘The Riverside’…something…” 

(“The Riverside Grinder…?”) 

“I wonder if Grindr got the idea from Judas Priest’s “Grinder” …” / #right #tobefair

 

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“They’re both unisex names…or are they polyamorous names? Or trans names?”

#onmicburp / “There’s gonna be a burp master remix…a club mix…”/

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“I remember that from Henry Rollins…”

 

(10:10): “If you want to send us your shit-tah, you can email it to us and WE’LL PLAY YOUR SHIT-TAH!!!” 

#Suspended BEAST WITHIN (Hollowed Minds – 2015) /

“That does NOT match the album we’re gonna talk about today…”

“He likes his snuff porn…”  / #authenticity

 

(13:33): #TheDocket METAL NERDERY PRESENTS: BLACK SABBATH – TECHNICAL ECSTASY

“There’s a LOT of cokelines on this one…almost all the cokelines for almost all the songs…”

“I think it might sound more like Sabbath Bloody Sabbath than we think…SBS has got some elements of this…mixed into some of the songs…”

“Sometimes I just like to be told I’m right…”

“You could never find (Technical Ecstasy) at the record store…” / #tobefair

“Did you do that on purpose?” (re: first Sabbath purchases…in order)

“You’ve seen American Psycho, right? Then don’t talk shit about Huey Lewis…” / 

Released on September 25, 1976 (released 4 years to the day after Vol. 4)

***Remixed version (Technical Ecstasy) by Steven Wilson released on 10/01/2001***

“It’s just a weird album cover…robots having sex with each other…I’m guessing the robot on the right’s gotta be a dude…I think the one on the left has gotta be a lady…” /

“When he says ‘I mean, come on’…you know…”/

“It’s the whole ‘cradling the balls of the algorithm’, right? Everybody’s doing this…so WE should do this!”

“What’s working? Let’s try that…”/ “I wanna hear the #KISS death metal album…” / 

“I have a memory…a Billiam memory (regarding Technical Ecstasy) …that was probably also after we watched ‘The Song Remains The Same’…”

 

(23:28): “I swear, looking at the track listing…I feel like…I swore that Side 2 was Side 1 on the tape that I got…I swore that All Moving Parts (Stand Still) was what opened the tape…I don’t remember Backstreet Kids being the opener…” / #alright /

“We’re not fisting…Russ, would you like to be his proxy?”

“I’ve had that same phenomenon…”/ 

“I swear that the tape that I got starts with Side 2 as Side 1…”

“Here you go, reissue…1999.” / #Lechmere #Richway

 

(27:00): BACK STREET KIDS 

“This has that weird keyboard thing in the middle…”

“Who did the keyboards on this?” (Gerald Woodroffe on keyboards)

“I always thought…if I didn’t know any better…I would say that Sabotage came after Vol. 4, and then Sabbath Bloody Sabbath, and then (Technical Ecstasy) …based on the sound of the records…”

“In terms of what would sound the best: Vol.4, Sabotage, then Sabbath Bloody Sabbath and then this…do you think Never Say Die would still sound right after (Technical Ecstasy) or do you think would it be better after Sabbath Bloody Sabbath? 

I can hear this coming after Sabbath Bloody Sabbath…it makes sense…”

“Back Street Kids is a way better opener than “All Moving Parts…”

 

(31:52): YOU WON’T CHANGE ME

“Now that sounds like MY Sabbath…kinda doomy…”

“I could hear that on Sabbath Bloody Sabbath easily…”

“It almost has a weird Beatles vibe to it somehow…” 

“That’s a pretty iconic keyboard line…”

 

(35:05): IT’S ALRIGHT (featuring Bill Ward on vocals)

“Now THAT sounds like The Beatles…it’s alright…”

“It’s always bean that way…” / “It’s NOT Black Sabbath…whatsoever.”

“That’s a perfect name for that song…they could have called it ‘It’s Not Bad’…”

“You don’t know how quick my hands can move until you hear that song come on…” / 

#BlindedByTheLight  #REM

 

(38:18): GYPSY

“Kung Fu Flute sounds like a cool name for a show…”

“Is this Led Zeppelin?” / #ImmigrantSong

“Is that the first-time drums have opened a Sabbath song?” (NO, it’s Iron Man)

“You’ve gotta have your tits out…” / “It’s more rock and roll Sabbath…”

“That sounds like King Diamond…in a weird way…it’s like a rock opera…” (NOTE: this part sounds very reminiscent of the end of Dream Theater’s Fatal Tragedy)

“See, now THAT sounds like Sabbath…that’s kinda got a Sabotagevibe to it…”

“Taking Sabbath Bloody Sabbath a step beyond…”

NOTE: Tony Iommi produced the album, there were no outside producers

“I’m not a big fan of ‘stroking the shaft and cradling the balls’ of the algorithm…but I also understand ‘we don’t want to starve to death…’”

“They’ve already done all of that…and they’re artists, they want to create new things…”

 

(44:37): “Imagine this being the opener…”

ALL MOVING PARTS (STAND STILL)

“Skynyrd…Skynyrd vibes…Saturday Night Special…” / “Dogs love Black Sabbath…”

“You’re right, Matt…I think we need to write it down, so it’s in writing…”

 

(46:54): ROCK ‘N’ ROLL DOCTOR

“Guys, we need some cowbell…” / “That’s definitely #RockAndRollSabbath …”/

“I’ve got a hot take…” / #hottake / “C’mon, the piano AND the cowbell?”/

“I think…I would probably rather listen to (Technical Ecstasy) than Mob Rules…”

“If you think about it, (Mob Rules) is pre- Holy Diver…”

“You play CDs? Alright…to me it seems kinda laborous…and bulky…” / #physicalmedia

 

(50:25): “Track 7…OR Track 3…depending on your pressing.”

SHE’S GONE

“This is actually a beautiful and terribly depressing ballad, but the acoustic sound is perfect…it’s so clean”.

“It’s dark…kinda gives me that Solitude vibe…”

“I wanted you to be my wife…” (“Awww, what a fucking line!”)

“There’s a demo version of this (on Instagram) with clean electric guitar…but it had drums…and different lyrics…”

“If you’re going through it…that song will get the waterworks going and clean you out…then you’ll be ready to go out and bang whores again…which leads us greatly into the closer (or the end of side 1 depending on your pressing) …”

 

(53:13): DIRTY WOMEN

“This kinda sounds more like a classic Sabbath song…”

“Ozzy sounds like modern Ozzy here (on this song) …his voice got higher…”

“That sounds like old school Sabbath…with the dual solos…”

“I don’t think we’ve been fair to this album…it’s good…I mean, it’s not the best, but it’s good…”/ “That might be the heaviest song on the album…”/

“I think maybe we’ve been terribly unfair to this album…”

“I appreciate this album now, more, being almost the same age as the album, than I did as a teenager when I discovered The First Six…”/

“Was it as good as The First Six? No. 

Does it need to be part of the Sabbath canon? Yes, absolutely.”/ #alsohottake #SideTwoVsSideOne

“I wonder, if in a weird way…I think, starting off with side 2…in that order, the whole thing makes way more sense…” / “That sounds like a really good relaxer album…”

THANK YOU FOR JOINING US!!! / “No backsies…” / #untilthenext #outroreel