Why Azymuth Still Sounds Like the Future

This episode explores the extensive history of Azymuth, a pioneering Brazilian musical trio that seamlessly blended samba, jazz, funk, and electronic music into a signature "Samba Doido" groove. Spanning over fifty years from their 1960s origins in Rio de Janeiro to their 2025 release Marca Passo, the narrative details how their sound was defined by a minimalist three-man lineup that expanded the roles of keyboards, bass, and drums. The source highlights key milestones, such as the global success of the 1979 hit "Jazz Carnival" and their later rediscovery by club culture and modern DJs through the Far Out Recordings label. Despite the passing of original members José Roberto Bertrami and Ivan Conti, the group’s legacy persists through their innovative use of synthesizers and a rhythmic flexibility that bridges the gap between traditional Brazilian heritage and futuristic sounds. Ultimately, the text illustrates how Azymuth’s music remains timeless by constantly evolving through new collaborations while maintaining its foundational core of improvisational freedom and deep physical groove.

【Related Column】Azymuth — ブラジル音楽を未来へ運んだ三人のグルーヴ

https://monumental-movement.jp/column-azymuth/