The salient point of our discussion revolves around the significance of cultural diversity within musical ensembles, particularly in the context of gospel music. We explore the impact that a mixed membership in choirs has on audiences, especially in regions where such diversity is less common, such as Eastern Europe. Through our travels and performances, we have encountered numerous opportunities to forge connections with local communities by translating our music into their native languages, thereby enhancing their engagement and enthusiasm. We emphasize that the appreciation for gospel music transcends geographical boundaries, and it is vital for us to recognize and nurture the global audience that exists beyond the confines of the United States. As we reflect on our experiences, it becomes evident that the world is indeed our audience, and we are committed to fostering this appreciation for gospel music across various cultures.
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