90s icon Shania Twain takes us right back to the world of 90s feminism with her half-arena-rock / half-honky-tonk hit, "Honey, I'm Home". Twain played big, and this song plays big, but where we do get irony in her particular brand of subversion, and what musical touchpoints does this song have with a couple of hits from 20 years before?
Fler avsnitt av Nashville Anthems: Dissecting 80s & 90s Country Music
Visa alla avsnitt av Nashville Anthems: Dissecting 80s & 90s Country MusicNashville Anthems: Dissecting 80s & 90s Country Music med Melton McMaynerbury finns tillgänglig på flera plattformar. Informationen på denna sida kommer från offentliga podd-flöden.
