
Episode 41 - Digital Art and Meaning with Roberto Simanowski
Om avsnittet
In this wide-ranging conversation, host Scott Rettberg sits down with renowned media theorist Roberto Simanowski to map the seismic shifts in digital culture over the last quarter-century. Starting with the early avant-garde experiments in "born-digital" literature and the founding of the journal Dichtung Digital, they trace the evolution of the screen from a space of poetic play to a site of global datafication.
References
Adorno, Theodor W. (1970) Aesthetic Theory
Anadol, Refik (2021) Machine Hallucinations https://refikanadol.com/works/machine-hallucinations-nature-dreams/
Aarseth, Espen (1997) Cybertext: Perspectives on Ergodic Literature https://archive.org/details/cybertextperspec0000aars
Habermas, Jürgen (1962) The Structural Transformation of the Public Sphere
Hales, Katherine (2002) Writing Machines https://archive.org/details/writingmachines0000hayl
Keep, Christopher (1994) A Socrates in the Labyrinth
Landow, George (1994) Hyper/Text/Theory
Levin, Golan (2004) The Dumpster
Menke, Christoph (1998) The Sovereignty of Art: Aesthetic Negativity in Adorno and Derrida
Rettberg, Scott; Stratton, William; Gillespie, William; Marquardt, Frank (1998) The Unknown https://unknownhypertext.com/
Simanowski, Roberto (1999) Dichtung Digital https://dichtung-digital.de/
Simanowski, Roberto (2002) Interfictions: Vom Schreiben im Netz https://www.suhrkamp.de/buch/roberto-simanowski-interfictions-t-9783518122471
Simanowski, Roberto (2011) Digital Art and Meaning: Reading Contentual Art, Dot-Walks, and Hypertexts
Simanowski, Roberto (2016) Data Love
Simanowski, Roberto (2016) Digital Humanities and Digital Media: Conversations on Politics, Culture, Aesthetics and Literacy
Simanowski, Roberto (2018) The Death Algorithm and Other Digital Dilemmas https://mitpress.mit.edu/9780262536370/the-death-algorithm-and-other-digital-dilemmas/
Utterback, Camille (2002) Deep Wall
Wilks, James (2016) Poetry Games
Wolff, Ben; Hall, Zach (2003) Listening Post
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