Phil and Emily are joined by journalist and author Josephine Riesman to continue their Richard Kelly Reichardt mini-series with the magnificent disaster that is Southland Tales (2006). And there is no better guest for it: Josie wrote the definitive deep-dive on this movie and once spent three hours walking Venice Beach interviewing Richard Kelly himself.
Set in an alternate 2008 where nuclear attacks on Texas have tipped America into a surveillance-state apocalypse, Southland Tales unleashes Dwayne Johnson, Sarah Michelle Gellar, Justin Timberlake, and a cast of SNL alumni across a sprawling, end-of-days Los Angeles on the Fourth of July. It premiered at Cannes as an unfinished cut on DVD, got booed into oblivion, made a legendary $374,000 against a $17 million budget, and then quietly became the cult object that fans swear is more true than the reality we actually got.
The gang digs into why a movie this incoherent is also this irresistible. Emily makes her case that it is what you would get if Philip K. Dick novelized Robert Altman's Nashville, while Phil counters with "Magnolia with a head injury." Josie reveals what Kelly told her about that surreal Justin Timberlake lip-sync to The Killers, the tie-in graphic novels, the Cannes catastrophe, and why he has a reason for every baffling choice, even the ones that never made the final cut. Plus its eerie kinship with Children of Men and The Handmaid's Tale, and the thin line between satire and prophecy.
Misunderstood masterpiece or beautiful trainwreck? On America's 250th birthday, it might be the only movie that fits. This is the way the world ends.
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Phil Iscove — https://www.instagram.com/pmiscove
Emily St. James — https://www.instagram.com/emilystjams
Josephine Riesman — [handle?]
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