Bra podd

Today we talk with Teddy Abrams, music director of the Louisville Orchestra and the Britt Festival, about redefining the orchestra for maximum impact. We talk about the future of classical music after COVID-19 and why orchestras were hit particularly hard, everything wrong with how classical music approaches education and how we can change to actually make a difference, and the qualities that make a truly incredible and successful musician. We also discuss why every conductor should be considering how they approach leadership now, before you’re neck-deep in work again, and why we should define ourselves as “musicians” and not “Classical musicians.”

You will learn:

Why classical music, and orchestras in particular, were unprepared for the COVID-19 Pandemic, and how we can use this opportunity to enact great change in the organizations that will learn from it.
Why seeing the orchestra as a performing institution is hindering the impact that we’re able to make in our communities.
Why our current education programs are stuck in old paradigms, and how an evolving culture requires our orchestras to adjust with it.
Why we should identify as “musicians” and not “classical musicians.”
Why Beethoven, Mozart, and Brahms would never stand for the division between art and popular music that we’ve held onto, and why they would never recognize our current models for the orchestra.
How Louisville is teaching its audiences to trust the orchestra and come to every concert.
The types of people that should not be music directors, but focus on guest conducting instead
How the education of conductors avoids teaching the important aspects of being a musical leader

Find this and all other episodes at PodiumTimePod.com. Subscribe and download Podium Time on your favorite podcast player and connect with us on Facebook, Twitter, and Instagram at @PodiumTimePod. You can also join our Facebook Group, the Podium Time Inner Circle to ask questions and continue the conversation after every episode. If you’d like to support the podcast monetarily and get bonus content, consider joining our Patreon community at Patreon.com/PodiumTimePod. .

Support the show

PT77: “How to Redefine the Orchestra for Maximum Impact,” with Teddy Abrams

Senaste avsnitt

Jeremy on the "Visit Aurora" Podcast

Defining your Mission and Impact, with conductor Chelsea Gallo

Building Community, Connections, and Support, with Noreen Green and the Los Angeles Jewish Symphony

Preview: Keynote on Leadership, Impact, and Motivation for Musicians

Who is your "Main Character?"

The Secret to Sustainable Productivity

Creating Resonant and Transformative Classical Concerts, with conductor Chelsea Gallo

Four things you should NEVER say to a classical music audience, with Aubrey Bergauer

What Classical Music can learn from Baseball, with Chelsea Gallo

Conductors react to Tár - Jeremy and Luke discuss this year's most controversial musical movie

How to fix your concerts and marketing, with Ruth Hartt

Building Back Audiences - The Basics

How to Build Audience Diversity, with Jeri Lynne Johnson

Leadership in 3 steps, with Tiffany Chang

6 Simple Tools to Engage and Build Classical Music Audiences - with David Taylor

Why 90% of audiences never come back - with Aubrey Bergauer

Introducing Season 7: "Building Back Audiences"

PT108: Programming Pops and Family with Enrico Lopez-Yañez

Being a Conductor is Hard, but Becoming a Conductor is Harder.

PT107: Teaching Your Audience to Listen, with George Marriner Maull

PT106: "Technique Precedes Music-Making," with David Itkin

10 Lessons from Interviewing over 100 Conductors on Podium Time

Who Hurt You, Glenn? The Classical Gabfest

Score Study Basics

How to Fix your Conducting

PT105: Showing Young Musicians What’s Possible, with Damien Crutcher

Your 10,000 Mile Checkup

Finding Clarity: What are you Trying to Say?

PT104: Common Sense and Working with People: Carl Topilow on Advice for Beginning Conductors, Standing out in Auditions, and How to Pick the Program that’s Right for You

PT103: The Power of a Premiere, with Kenneth Woods

PT102: How to be the Most Positive, Encouraging, and Supportive Person in the Room, with Kensho Watanabe

PT101: "Polishing the Potential in Young Conductors," with Mei-Ann Chen

PT100: LiveStream Extravaganza

PT99: How to Design an Exceptional Career: Ankush Bahl on Crafting a Narrative, Reading the Room, and Setting Yourself up for Success

PT98: “Learning Together: The Power of Conductors in Collaboration,” Kevin Sütterlin and Mathias Elmer on Building Sinfonietta Memphis as Co-Music Directors, Leading Effective Education Programs, and Performance Practice for Mozart and Beethoven

PT97: “Take us on a Journey,” Sarah Ioannides on Cascade Conducting, Effective Collaborations, and the Power of Nature to Enhance an Experience

End-of-Year Special 2020, with Jeremy and Luke

PT96: “The Art of Becoming a Conductor:” Miguel Harth-Bedoya on Fundamental Skills for Conductors, the Lost Art of Ear Training, and the Attitude Critical to Success

PT95: “Finding Comfort in Who You Are,” Anna Edwards on Seeking Diverse Stories, Embracing your Physicality, and Leading from Comfort

PT94: “It’s Never About You,” David Leibowitz on Diverse Repertoire, Balanced Programs, and Serving at Every Level

PT93: “Creating an Experience with Innovative Concert Design,” with John Devlin

PT92: “Fighting for Gender and Racial Balance in Classical Music,” with Elizabeth de Brito, Host of the Daffodil Perspective

PT91: “Let’s Talk Off The Podium,” with Tigran Arakelyan

PT90: “Learning to Listen and Trusting the Orchestra,” with Gary Lewis

PT89: Summary/Review of Markand Thakar's "Make Beautiful Music," with Jeremy and Luke

PT88: “Creating the Best Curriculum for your Beginner Students,” with Phil Aguglia

PT87: “Developing a Vision and Achieving Growth for your Orchestra,” with Janna Hymes

PT86: “Efficient Score Study, Methods for Memorization, and more,” with Kaleb Benda

PT85: “How to be Confident, Effective, and Humble on the Podium,” with Jeffery Meyer

PT84: “Music is not a Competitive Sport,” with Rain Worthington

PT83: How Podcasts, Film Music, and Steve Reich can help Attract Audiences, with George Jackson

PT82: Seeking Quality over Quantity in your Time on the Podium, with George Jackson

PT81: On Guest Conducting, Trust, and Working with a Manager, with George Jackson

PT80: "How to Learn Scores Quickly," with Julius P. Williams

PT79: "Conducting and Composing for the Ensemble you Have," with Julius P. Williams

PT78: “How to be Relevant and Embrace your Community,” with Aram Demirjian

PT77: “How to Redefine the Orchestra for Maximum Impact,” with Teddy Abrams

PT76: “The Joy of Composing: When Music Serves its Purpose,” with Gary Kuo

PT75: “How to Boost Rehearsals with Effective Conducting Gesture,” with Gianmaria Griglio

PT74: “Think Before you Feel: How to Conduct Professional Orchestras,” with Roderick Cox

PT73: “How to Practice without an Orchestra and Learn from Historic Recordings,” with David Hattner

PT72: "4 Steps to Creating a Transcendent Experience," with Markand Thakar

PT71: "The Best Tool for the Job," with Phil Aguglia of PaGu Batons

PT70: “Be a Place where Everybody Asks Questions,” with Christopher Rountree

PT69: "Communication is Key," with JoAnn Falletta

PT68: “Analyze, Observe, and Experience Movement though Laban Analysis,” with Charles Gambetta

PT67: “Build the House before you Hang the Curtains,” with Kenneth Kiesler

PT66: "Change Face," with Apo Hsu

PT65: "Less is More," with Ian Passmore

PT64: With Joshua Weilerstein, Host of the Sticky Notes Podcast

12 Ingredients for a Perfect Conductor, with Don Schleicher

Sneak-peak! Our New Recap Chats: Season 3 Bonus

PT63: "Elevate Your Community Groups," with Matthew Salvaggio

PT62: Tito Muñoz on: Why Great Orchestras Aren’t “Lagging,” New Perspectives for the Rite of Spring, and Invaluable Advice for Young Conductors

PT61: "You Can't Hide Behind Technique," with Tito Muñoz

PT60: "Ballet and Beyond," with Ming Luke

PT59: “On Florence Price and Diversity in Programming,” with Jordan Randall Smith

PT58: “Take off the ‘Maestro’ Hat and Get Your Hands Dirty,” with Jordan Randall Smith