Continuing our series on Jared Leto, we cover the 2002 film Highway, showing how it leverages 90s nihilism into the all-out pornographization of culture in the 2000s. We analyze the rock star archetype, why it's at the center of Leto’s career, and the clumsy cultural engineering agenda driving it. Finally, Brett proves that Kurt Cobain didn’t kill himself.
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https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
https://linktr.ee/psyopcinema
[email protected]
[email protected]
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