For more than three centuries, a restrained Tudor portrait was confidently labeled as Lady Jane Grey. But the woman in the painting is almost certainly not Jane at all.
In this episode, we explore the evidence that the famous Wrest Park portrait actually depicts Mary Neville, Lady Dacre, a young widow navigating disgrace, poverty, and political survival after her husband’s execution. Through costume, symbolism, provenance, and later portraits, a very different story emerges.
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