#AskVidasAndAusra 109: I Don't Know How To Fully Appreciate Early Music

Today’s question was sent by Barbara, and she writes: Dear Vidas and Ausra, You are very welcome. Your emails have already answered many questions -- some I didn't even know I had -- everything from why some of your fingerings are so different to how to hear inner voices to how to deal with injuries. Thank you! And thank you very much for the Boellmann toccata. I actually learned it many years ago when I was still taking organ lessons (I started lessons 18 years ago at age 48). I played it for a Halloween postlude one year at my church, and they brought the Sunday school in to listen, so I really pulled out all the stops at the end. But I'm very glad to have your fingering. I've been on retirement "vacation" for many months because of numbness in my hands, so I've been trying new fingerings as I ease back into things (long story, but I think I've been using too much piano technique on the organ all these years and it's taken its toll, especially as my muscles and joints age). Thinking of a question for you is a little like having to choose one wish for a fairy godmother. But here goes. One of my current struggles is being a better listener at concerts and recitals where the music is unfamiliar. I've learned a lot about baroque/classical/romantic music, but I don't know how to fully appreciate early music, especially music written before tempering. Do you have any suggestions for how to approach this? Recommendations for good listening collections of music using specific modes or styles? I this will also help me to better appreciate organ improvisations and modern music. Many, many thanks again for all you do. Best wishes to you both, Barbara http://www.organduo.lt