SOPP380: I like the idea of submitting videos to you as part of the organ competition

This question was sent by John, and he writes: Hi Vidas, Thanks so much for the podcast and chat today, you are incredibly inspiring! I feel so motivated after that chat. As we discussed, I really want to go to the next level with my organ playing, but you are right this needs to be part of a balanced lifestyle, I have a full time job, I play hockey plus training, and Eliza and two young boys to care for and a new baby on the way, my family is top priority. Could you please discuss this with Ausra, and give me your advice? It could be a podcast discussion if you want, I don’t mind the general questions being discussed publicly. I would like to write up a practice plan for say 60 minutes a day Monday to Friday, and maybe 90 minutes on Saturday & Sunday. To summarise how I feel: I think I’ve hit a wall of being able to self diagnose what I’m doing wrong. I have done well so far to be aware of what I’m doing, and ask you the right questions to get your help, and then correct it. But right now I don’t know what I don’t know if that makes sense. I don’t know of a ‘better’ way of doing things. For example, sometimes my choice of fingering isn’t good, but I don’t really know what the rules are, or what other options I have. The older retired organist has been helpful, but his communication style isn’t great, he is quite dry and uninspiring, and we have a lot of arguments over historical fingering and pedalling. And although he is retired he only seems to be available about once per month for 1 hour. Do I need a local teacher? Or should I go to a teacher in Melbourne once a month? (Cost is around $50-80 per lesson, plus 4 hours of my travel time). Do you think my progress studying with you online is satisfactory and just keep going this way? Personally I trust you guys so much because you have helped me with every problem. Other organ teachers might be dry and boring too. I don’t know what I should do next, but I think it’s something like: Rebuild foundation of finger technique (start with Hanon exercises, but what else??) Work on improving focus / staying in the moment / get in the zone and stay in the zone from the start to the finish of the piece. Breathing and phrasing of music. I have the book “The Organists’ Manual” by Roger Davis, should I be working through this at my own pace or follow a teacher? Understand why I am so slow at learning new pieces, and improve. My sight reading is poor, I might start on another 30 day challenge of sight reading a hymn each day. Broaden repertoire, I need some help with deciding what to play next. I would like play pieces I enjoy if possible, and pieces I can play in public that will engage and inspire audiences). I’m thinking Suite Gothique by Boellman, Fanfare for the Common Man by Lemmens, O Mensch BWV 622 by Bach, maybe Bach’s Little Fugue in G minor BWV 578 or the Prelude and Fugue in C Major BWV 531? I have started on Hanon, at the moment I have been doing exercises 1-10, repeating each one four times, but this is taking me 40 minutes, which doesn’t leave much time for anything else, and sometimes I struggle to focus the whole way without going into autopilot and messing it up or not doing it properly/precisely. And I haven’t done any scales or arpeggios yet. Maybe I could do: 5 mins sight reading for warm up 25 mins Hanon 15 mins learning hymns for church services 15 mins learning organ solo repertoire Extras: music theory and harmony? Improvisation? Scales/arpeggios? Pedal scales? I like the idea of submitting videos to you as part of the organ competition, as I feel I really need some more specific help and critiquing, and I want you to feel free to tell me how I can do better and what to work on. I really need some specific instructions not just a general idea. Thanks again so much for your time, and for being such wonderful friends and mentors! Take care, God bless John...