Ode to Joy: From Beethoven to Sister Act and Mr. Brightside

You know Ode to Joy. You may know it from Beethoven’s Ninth Symphony, a church hymn, A Clockwork Orange, the European anthem, Sister Act 2, or possibly a few suspicious seconds of Mr. Brightside.

What is strange is how quietly it begins. Before the huge choir arrives, Beethoven gives the melody to the cellos and double basses: a plain little tune that hardly seems capable of carrying everything later piled onto it.

This episode follows that melody from Schiller’s 1785 poem and Beethoven’s Ninth through Joyful, Joyful, We Adore Thee, the Seekers, Miguel Ríos, Wendy Carlos, Rainbow, Leonard Bernstein, Lauryn Hill, Bright Eyes, the Piano Guys and ATEEZ.

Along the way, Ode to Joy becomes hymn, pop song, electronic nightmare, political anthem, guitar riff and K-pop spectacle. The tune survives all of it because Beethoven made something unusually simple: a melody that a single cello can whisper and thousands of people can sing together.