For the 16th century, a vagrant was someone who operated outside of societal norms, someone who moved around without a fixed home, or produced a profit without the oversight of a noble patron.
In a culture that highly prized both hierarchy and organization, someone who fell outside these categories was cast under severe scrutiny, seen as a potential threat, and faced harsh punishments specifically aimed at preventing vagrancy.
During Shakespeare's lifetime, new laws were being passed to aggressively define and control the vagrant, casting a net that often saw players and playwrights like William Shakespeare caught right up in the chaos.
To help us understand how those categories worked — and why they mattered — we're joined by Dr. David Hitchcock, Reader in Early Modern History at Canterbury Christ Church University. Dr. Hitchcock's research focuses on poverty, mobility, and the cultural meaning of vagrancy in early modern England. He's here today to help us explore why early modern England was so focused on vagrancy, what the laws were that tried to prevent it, and how these laws impacted theater, and Shakespeare specifically.
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