Ringer editor-in-chief Sean Fennessey and film critic K. Austin Collins discuss the emergence of modern horror films like ‘The Witch’ and the increasing emphasis on tone over standard horror tropes (1:00). Then, Sean is joined by Trey Edward Shults, who explains how working through his own darkness led to making his latest film, ‘It Comes At Night’ (15:50). Learn more about your ad choices. Visit podcastchoices.com/adchoices
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