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The Co-Write Room: AI, Music, and the Future of Everything Creative

What No One Will Admit About AI

7 min7 april 2026

The Co-Write Room — Episode 002 "What No One Will Admit About AI" April 7, 2026 | 6:59

What if the biggest threat to your music career in 2026 isn't that AI is replacing you — it's that nobody in this industry has any incentive to admit it's already happening?

In this episode, Raia covers two stories that look separate but aren't.

Murphy Campbell is an independent folk singer from North Carolina who performs traditional public domain ballads. In January, she discovered that AI had cloned her voice, uploaded fake songs to her Spotify artist profile without her consent, and that a bad actor had then used YouTube's Content ID system to file copyright claims against her own recordings. Songs that legally belong to no one. Claimed against her. The platform accepted it.

The mechanism that made this possible: Audio Content Recognition databases — ACR — a fingerprinting system that tells platforms a song exists and who it belongs to. Major label artists are covered automatically. Most independent artists don't know it's a requirement. Campbell's recordings weren't registered. A bad actor noticed the gap first.

Meanwhile, a Rolling Stone investigation found that 87% of music producers admit to using AI in at least one stage of their creative process — and almost none of them are disclosing it. Suno's CEO calls his product "the Ozempic of the music industry." Producer Young Guru estimates that more than half of sample-based hip-hop now uses AI-generated retro soul samples, rerouting royalties away from the heirs of Black soul artists. Producer David Baron says undisclosed AI-generated music has already hit the Billboard charts, and the industry has no working software to detect it.

These are not separate problems. They are one problem at different levels. The thread connecting them is the absence of accountability.

Your one action item: Find out whether your recordings are registered in an ACR database. If you distribute through DistroKid, TuneCore, or CD Baby, you are likely covered. If you release directly to YouTube without formal distribution, you may have a gap. Close it.

References:

  • Murphy Campbell Deepfaked
  • Rolling Stone - Don't Ask, Don't Tell (March 2026)
  • Suno CEO Mikey Shulman quote
  • Young Guru estimate on AI soul samples
  • David Baron / The Lumineers
  • Spotify Artist Profile Protection beta
  • (00:00) - — Cold Open
  • (00:11) - — Introduction
  • (00:14) - — Murphy Campbell: The First Robbery
  • (01:03) - — The Second Robbery: Content ID Weaponized
  • (01:24) - — The ACR Gap Explained
  • (02:04) - — How Campbell Became the Infringer
  • (02:20) - — Are You Protected? Distributor Guidance
  • (02:52) - — A Cultural Preservation Crisis
  • (03:09) - — Spotify's Response
  • (03:24) - — The Industry's Don't Ask, Don't Tell
  • (03:53) - — The Ozempic of the Music Industry
  • (04:04) - — Young Guru: Where the Royalties Are Going
  • (04:33) - — The Honor System Has Collapsed
  • (04:50) - — Nashville's Invisible Casualties
  • (05:10) - — One Problem at Two Levels
  • (05:42) - — The Closing Argument
  • (05:59) - — Your One Action Item
  • (06:19) - — Outro

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