If something is technically wrong but inaudible, is that a problem ? When is it OK to break the rules ? What is “audibility”, anyway ?
Topics include:
* If everyone else is listening is listening on earbuds and phones, why shouldn’t we ?
* If music is art, it’s just a matter of taste - so how can anything be wrong ?
* Ear training - how do you learn to listen ?
* Are the answers to any of these questions different for mastering engineers ?
* Plus: The secret super-power of Stealth Tambourines
Full show notes and links
http://themasteringshow.com/episode-38
Mentioned in this episode:
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