Both Sides of the Isle, Pt. 1 — Swept Away (1974)

What happens when two people on opposite sides of a power imbalance end up stranded together on a deserted island? Before that was the premise of Sam Raimi’s new comedic thriller Send Help, it was the setup for Lina Wertmüller’s 1974 romantic farce Swept Away, only with the genders reversed and the sexual and political provocation turned way up. So this week we’re joined by critic, friend of the show, and Wertmüller aficionado Charles Bramesco to sort through Swept Away’s overlapping layers of satire, metaphor, and titillation, in an attempt to pinpoint what the film is actually trying to say about gender and class relations.

Please share your thoughts about Swept Away, Send Help, or anything else in the world of film, by sending an email or voice memo to [email protected], or leaving a short voicemail at (773) 234-9730.

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