Captive Audiences Pt. 1 — Dog Day Afternoon

In adapting the true story about a '70s hostage crisis that played out on television and in the public eye, Gus Van Sant's new Dead Man's Wire is just asking to be compared to 1975's Dog Day Afternoon — and who are we to resist an invitation to talk about yet another Sidney Lumet classic? So this week we revisit a film we have all previously seen and admired, but still has the ability to surprise with its unconventional approach to a bank robbery gone wrong, from its persistent sense of humor to its shifting perspective on Al Pacino's criminal protagonist. Then in Feedback, we continue the conversation about our podcast's namesake film, and answer a recurring question about our archives.

Please share your thoughts about Dog Day Afternoon, Dead Man's Wire, or anything else in the world of film, by sending an email or voice memo to [email protected], or leaving a short voicemail at (773) 234-9730.

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