Clique, Clique, Boom Pt. 1 — Heathers

Almost immediately after BOTTOMS premiered at this year’s SXSW, the heightened mix of satire and violence in Emma Seligman’s new film drew comparisons to Michael Lehmann’s HEATHERS, which in 1989 set a new high-water mark for upending the high-school movie tropes of the day through a darkly comedic lens. How does a movie that turns teenage suicide (don’t do it) into a punchline fare by today’s standards? That’s up for discussion in this half of our pairing, along with how HEATHERS executes its tricky tonal balance, its characterization of the high school experience and the parents and teachers who just don’t understand, and an ending that’s either a cop-out or the complete opposite, depending on who you ask and when. And in a Feedback letter inspired by our recent episode on ENCHANTED, a listener challenges us to name some recent films that could become “flawed pioneers,” without the benefit of hindsight.

Please share your comments, thoughts, and questions about HEATHERS, BOTTOMS, or anything else in the world of film, by sending an email to [email protected], or leaving a short voicemail at (773) 234-9730.

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