Lady Killers, Pt. 2 — Promising Young Woman

Though Emerald Fennell has cited Mary Harron’s AMERICAN PSYCHO as one of the inspiration points for her buzzy debut feature PROMISING YOUNG WOMAN, there’s not a whole lot obviously linking the films in terms of protagonist, narrative, or even their respective satirical targets. But as we discuss in this week’s comparison, both woman-directed films are deeply concerned with ideas of male privilege and toxic masculinity, make ample use of high-pop needledrops, and engage with violence in a heightened and stylized manner that underlines their thematic concerns. We get into all that, plus Your Next Picture Show, where we share recent filmgoing experiences in hopes of putting something new on your radar.

Please share your comments, thoughts, and questions about AMERICAN PSYCHO, PROMISING YOUNG WOMAN, or anything else in the world of film, by sending an email to [email protected], or leaving a short voicemail at (773) 234-9730. 

Your Next Picture Show:

Scott: Abel Ferrara’s MS. 45

Keith: Mary Harron/Guinevere Turner’s THE NOTORIOUS BETTIE PAGE and CHARLIE SAYS

Tasha: “Emerald Fennel Explains Herself” by Angelica Jade Bastién (Vulture.com)

Genevieve: Eugene Ashe’s SYLVIE’S LOVE

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