(Pt. 1) Thoroughbreds / Diabolique (1955)

Cory Finley’s stylish directorial debut THOROUGHBREDS follows an unlikely pairing of women as they endeavor to kill a domineering man in their life, a setup reminiscent of H.G. Clouzot’s classic 1955 shocker DIABOLIQUE, which took that premise and then applied one of cinema’s all-time greatest twists. In this half of our pairing, we dig deep into DIABOLIQUE, discussing whether its legendary ending is “spoiler-proof,” admiring the skill with which Clouzot keeps viewers off their guard (and how it differs from the approach of Clouzot’s contemporary, Alfred Hitchcock), and debating what makes for a believable on-screen drowning. Plus, a glimpse at the mountain of feedback we received on our episodes pairing STALKER and ANNIHILATION.

Please share your comments, thoughts, and questions about DIABOLIQUE, THOROUGHBREDS, or both by sending an email to [email protected], or leaving a short voicemail at (773) 234-9730. 

Outro music: “Deadly Valentine” by Charlotte Gainsbourg

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