Jack Douglas (1945-2026) - The Vinyl Guide interview

The legend himself Jack Douglas (1945-2026) shares stories from five decades of rock history — from producing John Lennon's final album to the memories Aerosmith, Cheap Trick, The Who, and his recent production of Silverplanes.

Topics Include:

• Jack Douglas joins Nate from a snowy driveway, cigar in hand.
• Silverplanes' debut album Airbus is finally releasing after years of delays.
• Jack met Silverplanes' Aaron Smart through his college-age son.
• Aaron turned out to own the Sunset Boulevard studio Jack had worked in.
• Jeff Emerick mixed the album shortly before his sudden death in 2018.
• The pandemic added two more years of delay to the release.
• Jack and Aaron are now label partners with New York real estate billionaire Douglas Durst.
• Their label operates 50/50 with artists — no standard royalty deals.
• Signed artists include Robin Taylor Zander and the Detroit Youth Choir.
• Jack builds songs from a single acoustic guitar performance first.
• Aerosmith was different — built from the band groove up, lyrics last.
• Walk This Way had no lyric until a Young Frankenstein gag unlocked it.
• Jack started his career as a TV composer while janitoring at Record Plant.
• He worked on sessions that became The Who's Who's Next.
• Kit Lambert and Keith Moon were both, politely, out of their minds.
• Jack survived eccentric clients by being reliably sober and crazy simultaneously.
• John Lennon was the easiest artist Jack ever worked with.
• John would say: "I'm the artist, you're the producer — let's work like that."
• Jack engineered Imagine and stayed close to Lennon through the Lost Weekend years.
• He was in and out of the Fame sessions with Lennon and Bowie.
• John told Bowie: "I'm writing you the best hit you'll ever have."
• John knew about — and liked — Aerosmith's cover of "Come Together."
• George Martin gave Jack a flat in Kensington and a Morgan sportscar.
• Jack helped produce Ringo's "Grow Old With Me," hiding Here Comes the Sun in the strings.
• Double Fantasy was secretly recorded at Hit Factory, too far west for fans.
• John wanted a middle-of-the-road record aimed at people aged 28 to 40.
• Earl Slick was kept from rehearsals deliberately — a wildcard for fresh solos.
• Rick Nielsen discovered John's Shea Stadium Rickenbacker with the setlist still taped on.
• Rick later gifted John a custom all-white Rickenbacker, model 001, never cashed his check.
• Cheap Trick's "I'm Losing You" session was thrilling but too edgy for the album.
• Jack hid microphones throughout the sessions, gifting John cassettes on his birthday.
• Jack destroyed the tape of the last day — John had sworn him to secrecy.
• After John's murder, Jack and Yoko listened to vault tapes alone until dawn.
• Yoko later sued Jack; Phil Spector's incoherent testimony and a wig mishap followed.
• Jann Wenner called Jack a nobody — until Jack's lawyer read Wenner's own book aloud.
• The jury was out ten minutes. Jack won millions.
• The 2010 Stripped Down version was mixed in the exact same Record Plant room.
• Live at Budokan was actually Osaka — Budokan tapes were too poorly recorded.
• Jack rebuilt the Osaka drum kit using speaker-driven bass frequencies and filtered signals.
• Aerosmith's Live Bootleg was sent back to Sony unchanged after Jack faked a remix session.

High resolution version of this podcast is available at: www.Patreon.com/VinylGuide

• Apple: https://tinyurl.com/tvg-ios
• Spotify: https://tinyurl.com/tvg-spot
• Amazon Music: https://tinyurl.com/tvg-amazon
• Support the show at Patreon.com/VinylGuide