Nancy and Sarah discuss recent theatrical outings at the Globe, the National Theatre and elsewhere to see multiple versions of Much Ado About Nothing. Why are some Shakespeare plays performed all the time - and should directors be bolder in their choices? Nancy also reveals her understanding of the reason you can't say Macbeth in a theatre - and Sarah shows a sad obsession with alphabetising her programmes.
Hosted on Acast. See acast.com/privacy for more information.