#3 Writing for TV & Academy Awards

Suzanne plays the “Latina Power” card, gives her review of today’s

Hollywood Reporter Magazine, does a bit of name-dropping about

their Santa Barbara neighbors, touches upon the years of the Hollywood Blacklist,

and Bob opines about how The Academy Awards seem to overlook the obvious.

Suzanne then takes Bob into the heart of his writing-producing-directing career,

touching upon being laid off from his location manager job at Universal and then

paying dues as “the writer in the closet” with a startup production company

which led him to his first “real” agent.

They discuss early breaks on shows like “BJ & The Bear” and “Sheriff Lobo”

which put Bob’s spec slasher scripts in front of CBS execs who hired him to

add some “spice” to their failed “Vintage Years” pilot. The concept of nepotism is

touched upon as Suzanne gets the credit for ghost-writing the first season’s

series bible for what became “Falcon Crest” which later propelled Bob

into the waiting arms of Aaron Spelling Productions.

Suzanne speed-dials Bob’s memories of Brandon Tartikoff, Dick Butkus, Pat Morita, and “Star Trek”.