How he got into the booking game through the USC music school as a freshman
Struggling with the decision to ramp down performing/touring and ramp up booking
Seeing the opportunity to improve stability in live music
Bridging the gaps and establishing trust between musicians and the people who hire them
How to make the most out of a $50 gig offer, no matter where you are in your career
Making your interactions about the relationship first and the gig second
Studying with Ndugu Chancler Michael Carvin, and Terri Lynn Carrington
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