For over 40 years, William Wyler was one of Hollywood’s most dependable classicists, culminating in 1968 with the ultimate New Hollywood-era throwback to Old Hollywood, Funny Girl. Then, for his final film in 1970, Wyler uncharacteristically directed a searing indictment of contemporary race relations, called The Liberation of LB Jones.
(00:00) When Wyler Went Weird (Twice)
(04:05) Neorealism, Auteurism, and the Cahiers Crowd
(12:41) WWII, Ben-Hur, and Turning Down The Sound of Music
(20:49) The Collector, Terrence Stamp, and Samantha Eggar
(34:17) How To Steal a Million, Audrey Hepburn, and Peter O’Toole
(40:11) Barbra Streisand and Funny Girl
(48:32) Wyler’s Swan Song: The Liberation of L.B. Jones
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