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Draft Zero: a screenwriting podcast

DZ-46: Structure & Point of View

2 tim 25 min19 december 2017

Listen if you want to understand how narrative point of view can organise your entire story structure

Waaaaaaaaaay back in DZ-5, Stu and Chas examined how shifting narrative point of view (i.e. what the audience knows in relation to the characters on screen) heightens emotions in any given scene. We've now taken that micro idea and applied it to the macro: how can deciding what the audience knows and when in relation to the characters organise your story? Are whole sequences or even acts driven by the audience following a character, feeling concerned about a character, empathising with a character or being absorbed in the irony of knowing more than all the characters interacting on screen.

To tackle this topic, Stu and Chas dive in to films that make very conscious structural choices in relation to narrative POV, namely: GET OUT, DUNKIRK and the underrated German film THE LIVES OF OTHERS (with honourable mentions to LA CONFIDENTIAL and MANCHESTER BY THE SEA).

Wait till the end to hear poor Stu's mind absolutely blown in relation to the Kuleshov effect.

As always: SPOILERS ABOUND and all copyright material used under fair use for educational purposes.

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Thanks to our Patrons, especially Khrob and Joakim.

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CHAPTERS

  • 00:06:21 – Introduction
  • 00:10:57 – Manchester By The Sea
  • 00:19:57 – Get Out
  • 00:50:15 – Dunkirk
  • 01:31:00 – The Lives of Others
  • 02:11:32 – Wrap Up

FILMS

SCRIPTS

SHOT ZERO DEEP DIVES

LINKS

RELATED EPISODES

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We are @stuwillis, @mehlsbells and @chasffisher on Twitter. You can find @draft_zero and @_shotzero on Instagram and Twitter.

Full show notes at: https://draft-zero.com/2017/dz-46/

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